Book ’em, Danno–Episode 46

Book 'em Danno Podcast

Steve finds himself being used to help eliminate a witness in “Bait Once, Bait Twice”. This episode is an instant classic for two reasons: we learn that Steve gets his hair done weekly and we’re gifted an assassin with the shortest shorts known to man. Truly distracting. I ranted about them twice.

And the reboot crew tackles an assassination plot during Thanksgiving in “Hau’oli La Ho’omaika’i”. I picked this Season 4 episode because Carol Burnett’s Aunt Deb is magnificent and I want everyone to know her.

Come for the short shorts, stay for the turkey shenanigans.

Listen on Soundcloud, iTunes, Spotify, and Stitcher.

Behold the short shorts. If I had to see them, so do you.

assassin short shorts

Rerun Junkie Show–Baa Baa Black Sheep Squadron

Baa Baa Black Sheep title

Before I get into anything, I should clarify the super long combo title.

As I understand it, the first season of the show aired under the title Baa Baa Black Sheep. The show ended up cancelled, then resurrected, and the title changed for the second season to Black Sheep Squadron. It wouldn’t be the only change, but we’ll get to that.

The show was based on the real life war exploits of Major Greg “Pappy” Boyington (who would guest star as General Harrison Kenlay in addition to being the show’s technical advisor), a former Flying Tiger who led an unruly bunch of marine pilots known as the Black Sheep during World War II. Pappy earned his nickname because he was at least a decade older than the twenty-somethings he was flying with. Being a fighter pilot is a young man’s game, I guess.

In the first season, we’re introduced to Major Greg “Pappy” Boyington (Robert Conrad and his contractually obligated tight pants) and his Black Sheep, which include Captain James “Jim” Gutterman (James Whitmore Jr) (who didn’t return for the second season; what happened to his character was never mentioned), 1st Lt. Jerome “Jerry” Bragg (Dirk Blocker), 1st Lt. and later Captain Lawrence “Larry” Casey (W.K. Stratton), 1st Lt. Donald “Don” French (Jeff MacKay), 1st Lt. Thomas Joseph “T.J.” Wily (Robert Ginty), 2nd Lt. Robert “Bob” Anderson (John Laroquette), and Lt. Bob Doyle (Larry Manetti), and later joined by 2nd Lt. Jeb Pruitt (Jeb Stuart Adams) in the second season. Their planes are kept in the air by Sgt. John David “Hutch” Hutchinson (Joey Aresco) and Sgt. Andrew Micklin (Red West) with the assistance of Stan Richards (Steven Richmond) in the second season. The nurses at the hospital on the island also got a bigger role in the second season. Led by Lt. Commander Dottie Dixon (Katherine Cannon), they included Lt. Nancy Gilmore (Nancy Conrad), Lt. Susan Ames (Brianne Leary), Nurse Samantha Greene (Denise DuBarry), and Lt. Ellie Kovaks (Kathy McCullen). The chain of command included Colonel Thomas Lard (Dana Elcar), who wanted nothing more to get rid of Boyington and his Sheep, and Brigadier General Thomas Moore (Simon Oakland), who was as vexed by Boyington and his men as he was impressed -and sometimes entertained- by them.

As this show is set in the Pacific during WWII and features a bunch of guys living up to the Black Sheep name and it was made in the ’70s, you pretty much know what you’re getting. There’s a lot of action, a lot of brawling, a lot of carousing, a lot of drinking, a lot of witty lines, and a dog named Meatball. Honestly, it’s pretty great.

Okay, yes, it is a white man’s show. The women are typically underwritten, plot devices, or props and the minorities are almost all the enemy (but that does accurately reflect the segregation in the military at the time). Though the characters have a distinct prejudice against the Japanese because they’re the enemy, the use of racist language isn’t as bad as it could be. For the most part, they’re treated and presented as faceless targets, but there are episodes when the pilots get to see the men they’re fighting up close. Boyington even has a recurring nemesis in the form of Captain Harachi, played by Byron Chung, a Japanese pilot who plagues Boyington and the Sheep.

The episodes have a fairly nice balance of war action, shenanigans, and personal drama and/or peril. Every guy gets his time to shine, which usually allows Pappy a chance to really work that father-figure role. My personal favorite is “Five the Hard Way” in which French struggles to down his fifth plane and make ace, preferably before his newspaper publisher father makes a visit to camp. It seems that French’s father has a tendency to embellish French’s accomplishments, which makes French resentful. The pressure to make ace before and during his father’s visit, which nearly costs another pilot dearly, breaks him and a drunken incident in the Sheep’s Pen earns him a harsh reality check from Pappy, who also delivers one to dear old dad. Am I a little biased for Jeff MacKay reasons? Absolutely. But to his credit, he delivers a rough, emotional performance that reflects perfectly the toll a strained relationship with his father has taken.

For a super masculine show, it didn’t shy away from showing the men’s emotional vulnerability. Gutterman had a major crisis of faith about his ability to fly which nearly ended his time with the Black Sheep. Casey did leave the squad for a time because he felt like the guys didn’t appreciate his skills, which they didn’t and came to realize that pretty quickly after he left. Wiley accidentally shot down Pappy at one point which led to his own battles as well as leaving Gutterman in charge, which he struggled with. Also, this is war. Not everyone made it out alive. And those left behind had to deal with the losses.

Getting shot down was also a common occurrence. Pappy was shot down more than once. And he wasn’t the only one. Sometimes, the pilot getting shot down was a hefty part of the episode’s story, like when Pappy, Boyle, and Anderson went down on an island populated by nuns, orphans, and the enemy which also happened to be the Allies’ next target. Most of the episode dealt with our three Sheep and their efforts to escape the island with nuns and orphans in tow. However, in some episodes, like one in which Boyle went down alone, we had no idea what was going on with him. We were waiting for information about whether or not he was alive just like the rest of the Sheep.

But just because this is war and an overwhelming male show, that didn’t mean that our guys weren’t falling in love at every given opportunity. They were stationed on an island with nurses, after all. The men all had plenty of chances to have their hearts broken. Casey and Bragg fought over the same girl, who turned out not to be much of a prize. Wiley ended up getting used by a half-Japanese, half-French woman who was used to doing whatever it took to survive due to be abandoned by both cultures. Hell, it took a two-part episode for Pappy to get his heart broken by a nurse who turned out to be married, but her husband was missing, but then he was found and boy, that hurt worse than his burnt hands. French also nearly died in that episode, but what’s near-death compared to a broken heart?

The Sheep also met their match when they were introduced to a group of women pilots called W*A*S*P*S who were flying cargo planes. I was really looking forward to hating this episode, thinking that it was going to be the standard battle of the sexes bullshit, but it surprised me with how equal the ladies were when it came to competing with the men in shenanigans. Of course Wiley had to fall for one of the WASP pilots against orders and ended up coming to her rescue when her plane got shot up, but it was a small price to pay to watch the guys get a taste of their own medicine.

Speaking of shenanigans, there are plenty. Pappy and the Sheep are always on the con, looking to either score something for themselves (booze, food, parts, toilet paper) or finagle themselves out of trouble. And the brawls! Violence is the their go-to way of dealing with any loud mouths from the other military branches. Or with each other. Everybody beat the hell out of everybody. And these aren’t artfully choreographed, well-rehearsed stunt fights. These are full on chaotic brawls. Fake punches, of course, but the dog piles and body tosses are real. I wonder if it wasn’t one of these onscreen clusterfucks that was the reason Jeff MacKay had a cast on his arm for several episodes during the first season. I could be wrong, but if I wasn’t, I wouldn’t be surprised.

A marine base during a war makes for an excellent way to temporarily assign some guest stars to the show, some of which include Tim Matheson, Ernie Hudson, and Sheryl Lee Ralph; Linda Scruggs, Charles Napier, and James Saito; General Hospital vets Leslie Charlson and Kin Shriner; Clyde Kusatsu, Peter Donat, Donald Petrie, and Victoria Racimo; Star Trek stars George Takei and Rene Auberjonois; Andi Garrett, Joel Fabiani, Scott Columby, Dale Ishimoto, and Scotty Highlands; musicians James Darren and Peter Frampton; James T. Callahan, Jerry Hardin, Richard Jaeckel, Sab Shimono, and Lance LeGault; Police Academy franchise vets George Gaynes and Kenneth Mars; Ford Rainey, John Fujioka, Sandra Kerns, and Stewart Moss; ’70s/80s TV faces Gordon Jump, Mills Watson, and Sorrell Booke; James Keach, George Wyner, Richard Narita, and Alex Henteloff; TV cops Ken McCord, Joe Santos, and Sharon Gless; James Luisi, Ernest Harada, Craig Wasson, and Lloyd Kino; and legends Soon-Tek Oh and James Hong

Though this series was created by Stephen J. Cannell, Donald Bellisario worked on it as a writer, director, and producer and many of the stars and guest stars on the show ended up on Bellisario productions later, including Jeff MacKay, W.K. Stratton, James Whitemore Jr. (who directed episodes of several Bellisario series as well), Larry Manetti, John Fujioka, Richard Narita, Clyde Kusatsu, Soon-Tek Oh, and Red West.

As much as I like this show, I have to admit that I like Season 2 a lot less than Season 1. Gutterman is gone from the get go and T.J. and Anderson disappear half-way through. In their stead we get Pruitt, who’s 16 posing as 19 and a gifted young pilot. Emphasis on young. He’s like a little brother to the rest of the Black Sheep and his youthful innocence is striking compared to the rowdy older men. And like a little brother, he grows on you.

As I mentioned, the nurses have a more predominate role in the second season, particularly the second half. And as I figured, it’s great in theory, but lousy in practice, another casualty of men writing women. Two of the nurses, Nancy and Susan, are pretty generic in personality; Ellie is so ditzy that you don’t really trust her with the business end of a syringe; Sam is clearly meant to be the “perfect woman” -a beautiful, 22 year old trauma nurse who is also the general’s never before mentioned daughter and all men instantly fall for her, including Pappy, and the one nurse who has the potential to be the most interesting, Lt. Commander Dottie Dixon -SPOILER ALERT- gets killed off.

For the most part, the nurses are there to worry about, swoon over, and be perved on by the men. The sex pest antics really amp up in the second season with Casey pretending to be a doctor to give newbie Sam a physical, talk of the Black Sheep’s version of slipping the nurses a mickey, and Boyle and French’s preoccupation with seeing the nurses in the shower. Boys will be boys in a battle zone.

Sam, though, is there to bring the drama. She and Pappy have a forbidden romance that’s mostly on ice out of respect for Greg’s friendship with the general. And even though Sam used her mother’s maiden name to enlist to avoid her father from finding out she was in the service and she complains that every man she’s dated is either afraid of her dad or one of his bootlickers, she’s not above using dear old dad for favors. She’s the only one who doesn’t like this one jackass army pilot and she knows the dangers of too much publicity, but also nearly gets Jeb killed because she can’t follow directions in regards to the radio. I think they’re supposed to be portraying her as a wise-beyond-her-years nurse, but she comes off as being a convenient, yet annoying plot device. I really just wanted her to stop sticking her nose into things.

Honestly, it’s a shame that they wasted so much potential to do something different with the nurses. Yes, they were only secondary characters, but they still could have been so much more interesting than the boring, predictable paper dolls they ended up being, and in turn, contributed to much richer character interactions with our pilots, producing even more interesting episodes.

Alas, alack, it wasn’t meant to be.

But the show we do get is pretty great and it’s a shame it only lasted two seasons.

Fly on Black Sheep. Fly on.

black sheep

Five TV Tropes I Love

Since I already ran off at the mouth about five tropes I hate (with the promise of more), it’s only fair that I give the tropes I love the same treatment. As with the hated tropes, these are in no particular order because you can’t rank love.

Elaborate Schemes- If you’ve ever listened to Book ’em, Danno, you already know this. I adore elaborate schemes, the wilder the better. They don’t have to make sense. They don’t have to be practical. They just have to be bold. That’s why Wo Fat is one of my favorite villains. The man has a gift for theatrics. I’ve raved about his long-game frame job. But Hawaii Five-O is full of great plans and grand schemes. Elaborate plans to rob banks and steal diamonds and commit murders. There are times they border on ridiculous and unnecessary. There are times they absolutely cross that line. Sometimes they end up an absolute mess and don’t make much sense at all. None of that matters to me. A for effort. Get complicated. Get weird. I’m in.

Doppelgangers- That Wo Fat frame up included a doppelganger and that is also my joy. A doppelganger plot, regardless of what kind of show it’s on, is going to be ridiculous. Sitcoms frequently use the Prince and the Pauper set-up, sometimes literally. Davy took the place of a shy prince in order to win him the girl. Ginger’s doppelganger Eva Grub ended up on the island with the castaways and after a make-over, went back to civilization to take over Ginger’s career. Gilligan also came face to face with a spy with his face. And Mr. Howell had his own dealings with an imposter bearing his likeness. In retrospect, there were a lot of doppelgangers on Gilligan’s Island. Of course, it’s said that everyone has one. Naturally occurring doppelgangers are great; created doppelgangers are better. These happen a lot on dramas. People impossibly surgically altered to look like someone else for nefarious purposes. It’s absolutely unlikely and totally ridiculous, which makes it that much better.

Improbable Countdowns- You know the drill. There’s five minutes, two minutes, thirty seconds left before the big terrible thing happens but somehow our heroes are able to beat the clock despite the fact that they ran out of time three times over easy and we all know it. Rarely are shows able to do what needs to be done in the allotted time and that’s fine. We’re not expecting 100% accuracy here. But there are times when it’s so egregious it’s laughable and those are the one I love the most. There’s an episode of Baywatch Nights in which Mitch, Ryan, and guest character Claire have to get off a rig that’s going to explode in 90 seconds and they use half of that time sitting and dialoguing. There’s no way they got to the railing in the time they had, but thanks to the law of TV countdowns, they had time to spare. And I’m not mad about it.

It Was All a Dream- I admit this is a controversial love, but stick with me here. There’s an episode of The Golden Girls where Blanche’s husband George appears to have faked his death, meanwhile, Sonny Bono and Lyle Waggoner are pursuing Dorothy relentlessly, straight up fighting over her. It’s a wacky episode and funny as hell. And it’s not until the end that’s it’s revealed that it’s all a dream, a recurring one that Blanche has which is rooted in some unresolved feelings she has surrounding her husband’s sudden death. It’s quite bittersweet when she reveals that this dream was different because she finally got to hug her husband as she usually wakes up before then, suggesting that she’s come to terms with an aspect of her grief. So, there are times in which those dreams episodes can be well done. But they don’t have to be for me to enjoy them. Saying an entire season of Dallas was a dream just to get Patrick Duffy back on the show and therefore fucking up canon across that universe is amazing for the chaos alone and I’ll ride with it. Also, St. Elsewhere‘s series finale? Come on. Some dreams are legendary.

The Rashomon Effect- Quick refresher: this is the device of telling the same story from the viewpoint of different characters and because people tend to interpret and remember their realities differently for various reasons, it can get pretty entertaining and messy. One of my favorite instances of this is in a Mama’s Family episode actually called “Rashomama”. Thelma ends up in the hospital thanks to a cookpot to the head and Ellen, Naomi, and Eunice all give their versions of what happened, which naturally paints each teller as a saint without fault. We never do learn exactly what happened and who put Thelma in the hospital. Gilligan’s Island uses the Rashomon Effect to retell the events of an episode we’ve already seen, painting each teller as the hero when we all know that Gilligan was the one who saved them, which is a pretty unique spin. CSI: Miami did a fun version of this having Ryan, Calleigh, and Eric investigate the same murder, each coming to a different conclusion from their evidence. Naturally, Horatio straightens things out and the correct killer is caught in the end. So, give me all of the viewpoints. I won’t get bored.

I admit that my love of some of these tropes is rooted purely in my love of the ridiculous and there’s no doubt that all of these have the potential to go off the rails. But I never said they were necessarily good or that they could be (and probably are) overused. I said that I loved them.

And I do.

Rerun Junkie Guest Star–George Murdock

I mentioned George Murdock when I wrote about Don Calfa and Oliver Clark on Barney Miller. He is one of those faces that I love to see show up in my reruns because given the kind of reruns I watch, I’m pretty sure I know who he’s going to be in the context of the episode. Mr. Murdock has a knack for playing insufferable, arrogant men of authority. Obviously, he didn’t always play these sorts of characters (and it throws me off when I he doesn’t), but I’d be lying if I said that this isn’t when I like him best.

For all of his 200+ credits on IMDB, he only had a few regular or minor recurring roles on TV. He was Captain Krupnik on No Time for Sergeants; Frank Devon on It Takes a Thief; Cavanaugh on Banacek; Dr. Salik on Battlestar Galactica; Laslo Gaboy on What a Country; The 2nd Elder on The X-Files; Judge Andrew Walker on 14 episodes of Days of Our Lives (a mere blink in soap time, but I think it’s still worth a mention); and he was Lt. Ben Scanlon on Barney Miller.

Scanlon is a great example of the kind of character that Mr. Murdock had a gift for playing. Scanlon worked for internal affairs. He was a cop, so he was technically a good guy, but he spent his time trying to get Barney and the men of the 12th in trouble, so he wasn’t THAT good. He was an insufferable, gruff, irritant and you love to see him get his comeuppance.

The curious thing is that his guest spot as Master Sgt. Reville in the “Group Home” episode which also guest starred Don Calfa came after he’d already played Scanlon in one episode in the previous season. He then proceeded to play Scanlon in every subsequent appearance, including the series finale.

Though Scanlon was a pretty unlikable character in his own way, George Murdock had a challenge in playing Sgt. Reville in “Group Home”. He comes in to report a bombing threat on the recruiting station and finds himself working with Nick. Reville, a WWII vet, isn’t shy about his prejudiced dislike towards the Japanese detective. This character has the potential to be deeply unpleasant, but Mr. Murdock is able to show Reville for the joke that he is. Reville asking why anyone would want to blow up an American military instillation and Nick replying with, “Nostalgia,” is one of my favorite jokes. This might be the first time Nick has dealt with Reville, but not the first time he’s encountered an anti-Japanese bigot.

As I mentioned in the Don Calfa and Oliver Clark post, most of Mr. Murdock’s time is spent building up to the entrance of Don Calfa’s character, particularly his rather disgusting cough. He lays the groundwork for the punchline of Calfa’s character and he does so well.

When Reville leaves, Nick informs him that he also served in the army as part of the Nisei Division, which was made up almost entirely of Japanese-American men who’d been put into interment camps by the US government. There’s no great Coming-to-God moment for Reville -this is a cop comedy after all- but the joke he makes about Nick not caring who won the war has much more friendly tones for the character to leave on than what he entered with. George Murdock runs that gamut beautifully.

One of his other memorable guest spots is in a Season 3 episode of Hawaii Five-O called “The Gunrunners”. Okay, full disclosure, it’s probably only memorable to me because he’s a bit gruff, but he’s not acting like a pompous ass. He’s actually the voice of reason! I went into the episode fully expecting him to be behind the shenanigans in some capacity and…he wasn’t. He wasn’t exactly what you might call a completely good guy -he and his partner (who was behind the shenanigans) were legal arms dealers- but he was pretty good in comparison.

It seems that George Murdock frequently played law enforcement characters, graduating to judges in later years, and therefore showed up on a lot of cop shows including Mod Squad, Adam-12 and The New Adam-12, Ironside (once a season except for the last, playing different characters each time), The FBI, Police Woman, Police Story, Lanigan’s Rabbi, The Streets of San Francisco, Hill Street Blues, T.J. Hooker, The Misadventures of Sheriff Lobo, CHiPs, McCloud, Dragnet ’89, Law & Order, and CSI.

He also showed up in plenty of legal shows including The New Perry Mason, Night Court, Judging Amy, and Eli Stone.

He privately investigated on Banyon, Longstreet, Hec Ramsey, Mannix, 77 Sunset Strip, Harry O, The Rockford Files, The New Mike Hammer and Mike Hammer Private Eye, The Law and Harry McGraw, and Scarecrow and Mrs. King; got soapy on Dynasty and General Hospital; saddled up on Rawhide, Death Valley Days, The Wild Wild West, Cimarron Strip, The Virginian, and Gunsmoke; went to war on Combat! and went wild on Tarzan; got bold on The Bold Ones: The New Doctors and The Bold Ones: The Lawyers; checked in on Ben Casey, Trapper John MD, Chicago Hope, and ER; entertained talking cars on Knight Rider and Team Knight Rider; spied on I Spy and Search; tangled with extraordinary fellas on The Invisible Man and The Six Million Dollar Man; got laughs on Bosom Buddies, Seinfeld, Dave’s World, The Nanny, Malcolm & Eddie, The Gregory Hines Show, and Just Shoot Me!; got a little ESP on The Sixth Sense and The Dead Zone; tangled with wolves on Lucan, magic on The Magician, meddling kids on The Hardy Boys/Nancy Drew Mysteries, robots on Small Wonder, the Duke Boys on The Dukes of Hazzard, and Jessica Fletcher on Murder, She Wrote; went out of this world on The Twilight Zone, Star Trek: The Next Generation, Smallville, and Torchwood; spun off on spin-offs Fish, Benson, and Lou Grant; and he even got animated on Batman: The Animated Series.

George Murdock had a knack for playing a variety of characters, but that gruff voice and demeanor lent itself so well to playing a tough, arrogant irritant that it’s hard to imagine him playing anything else, and yet he does so well.

And we’re all better for it.

Rerun Junkie Confession–I Love a Good Frame

As someone with a fondness for police shows, I’m familiar with the tropes of the genre. And I admit that I love a frame job.

In reality, people getting framed for crimes is pretty unlikely. More often, the miscarriage of justice isn’t the result of some well-orchestrated, fiendish plot; it’s because law enforcement fixates on a theory and molds the evidence to fit it.

But on television…

Typically, people on TV are framed for murder, but theft is also a frequent frame. And some of these frames can be incredibly elaborate to the point of absolutely questionable. The stretch you’d need to consider it believable would kill your hamstrings. And frankly, I don’t care. I love it. Give me your outlandish, ridiculous frame-ups. I’m in.

To be clear, I’m talking about the deliberate setting up of someone to take a fall, not someone being wrongly accused of a crime someone else did and that person letting them take the wrap. I’m looking for detailed planning targeting a specific person for a specific crime for a specific reason.

Hawaii Five-O has many great frames, but I just covered a two part episode called “Ninety Second War” for Book ’em, Danno that has a magnificent one. This frame, orchestrated by Wo Fat, is designed to merely get Steve McGarrett out of the way for a little while so his government can proceed with the testing of a nuclear weapon delivery device, basically some kind of missile. Gotta consider it high praise when an entire government sees you alone as an obstacle to their whole weapons testing business.

Anyway, Wo Fat could have just kidnapped McGarrett, tucked him away for a few days, left Five-O scrambling to look for him, and while they were distracted, his government could get on with it. But Wo Fat is a beautifully theatrical man. Instead, he spends YEARS setting up a plan that involves a surgically created doppleganger, perfect handwriting imitations, regular bank deposits in a Swiss bank account totaling up to a couple million dollars that make it look like Steve is taking bribes, and then capping it all off by manufacturing a car accident that leaves Steve alive but injured in a car with a dead mobster. All to get him out of the way for a weapons test.

It’s just…perfect. It’s so elaborate and so meticulous and so long-game and it’s only to keep Steve out of their hair for a few days, maybe a week. If he’s indisposed with clearing his name longer, great. But the whole point is that it was done for this specific time. Just amazing.

And that wasn’t even framing him for murder!

Steve McGarrett did get framed for murder at least once that I remember right off the top of my head. He was set up for murdering his girlfriend and Five-O had to work to clear him despite all of the evidence pointing to Steve.

Now that I think about it, Horatio Caine was also framed for murder on CSI: Miami. He was also set up for murdering a woman he’d been dating. Clearly, their similarities are many.

It’s not only our heroes that are getting framed. The good guys are often going to great lengths to prove that innocent people are being framed. These plots are good, but never so good that they can’t be unraveled. And they rarely rival any that are concocted against the good guys.

But that’s okay.

I never get tired of a good frame.