Rerun Junkie Guest Star–Candice Azzara

There’s something about a pretty woman with a Brooklyn accent that catches the attention. Or at least my attention. Candice Azzara fits this bill perfectly. Her sweet face and sweet voice makes for a perfect combo, especially when she’s a tough cookie.

Of her 89 credits listed on IMDB dating back to 1969, many of them are TV roles, but not too many regular or recurring roles, which is a shame. Her only regular role was as Shirley Balukis on the short-lived 1973 series Calucci’s Department. Her few recurring roles were short-lived as well. She played Millie in six episodes of Soap, Fran Thomopolous in 5 episodes of the final season of Who’s the Boss?, and Angie Spadaro in fourteen episodes of Caroline in the City.

I probably know Ms. Azzara best from Barney Miller. She popped up as different characters three times: a manicurist who stabbed an unruly client in “The Layoff”; the victim of a bus robbery and crash who also happened to be the mistress of one of the other passengers in “Bus Stop”; and the recent wife of a recent lotto winner who wasn’t too thrilled he was giving it all away in “Dietrich’s Arrest: Part 1”.

She also played a money-focused woman in an episode of Murder, She Wrote as well. In the episode “Mr. Penroy’s Vacation”, which also happened to be Ron Masak’s first episode as Sheriff Metzger, Ms. Azzara plays the “wife” of dead man Mr. Penroy. Yes, wife is in quotes for a reason. As it turns out, she’s actually the wife of a train robber who ran out on her. He was in Cabot Cove to get his split of the money, and she was there to make sure she got her cut, too. Fun fact: despite her three appearances on Barney Miller and her onscreen husband Don Calfa’s seven appearances, they never crossed paths on that show. (She did appear with the other Barney Miller frequent flyer Oliver Clark in an episode, though.)

Another favorite guest appearance that found her on the wrong side of the law was in an episode of CHiPs called “Satan’s Angels”, in which Bonnie is taken captive by members of a motorcycle gang, which include William Smith and Mickey Jones. Ms. Azzara is one of their old ladies who forms something of a bond with Bonnie.

She also tangled with the law on Baretta, Kojak, Ohara, Rizzoli & Isles, and N.Y.P.D. (her first listed credit on IMDB); checked in on Strong Medicine, The Practice (a ’70s Danny Thomas series), Trapper John MD, House Calls (reprising her character from the movie version), ER, and E/R (yes, there were two of them and both starred George Clooney); privately investigated on Remington Steele and Tenspeed and Brownshoe; got family friendly on Shake It Up, One Day at a Time, Diff’rent Strokes, The Wonder Years, and Doogie Howser MD; was short-lived on Downtown, Mama Malone, The Two of Us, Roomies, and The Montefuscos; went to court on LA Law and Night Court; showed up on Married…with Children and it’s short-lived spin-off Top of the Heap; named names on Maggie, Pearl, Rhoda, and Alex, Inc.; got a little strange on Medium, Joan of Arcadia, and the ’80s version of The Twilight Zone; and of course, she once set sail on The Love Boat.

I know that actors don’t like to be typecast, and I certainly don’t like to typecast them, but sometimes an actor plays a role so well that you can’t help but associate them with it. Candice Azzara’s gift for playing women with a certain kind of attitude -spicy sweet- is memorable and that’s a fabulous thing. And so is she.

Book ’em, Danno–Episode 53

Book 'em Danno Podcast

Only three episodes into the new season and we get yet another large-scale criminal enterprise in “You Don’t Have To Kill To Get Rich- But It Helps”. We also get a necessary dose of William Shatner. You may argue with me about that, but you’d be wrong. Please be advised that I go into detail about how decomposition works with a corpse that’s been underwater for two or three days. Some knowledge I’m just compelled to share.

And then Danny finds himself going through it after a friend is killed in the line of duty in “Pig in a Blanket”. This is not my favorite genre of copaganda episode and I explain that at length.

Listen on Soundcloud, Apple Podcasts, and Spotify.

Here’s a little Shirtless Shatner to get you through.

shirtless shatner

And, of course, Dollie, who is now part of my life vision board.

dollie

In the Line of Duty

We all know how enamored I am with cops shows, particularly cop shows from the ’70s, but there’s a certain genre of copaganda episode, which seemed to be done often in the ’70s, that just hits me the wrong way every time.

An officer killed in the line of duty.

Here’s how this particular variety of copaganda episode typically plays out. We meet a cop, usually a uniformed officer, that we’ve never seen before and will likely never been mentioned again after this episode. We get to know this cop for about five minutes. He’s usually a very likeable guy and he’s usually good friends with one of our faves. Then our new cop friend gets killed in the line of duty, usually by someone who refers to cops as “pigs” and has an all-out hate on for the police. If not, then someone in the episode does and they are very, very vocal about it. It’s all very anvil about showing the audience how thankless the job is because people hate them even though they put their lives on the line every day. It’s an efficient delivery system for some unquestioned stats on the number of cops killed in the line of duty every year.

Now, the whole point of copaganda is to help normalize and valorize the shit cops do that shouldn’t be normalized or valorized, like roughing up a suspect for information or getting pissy when a suspect knows their rights and won’t speak without a lawyer. But this particular genre of copaganda is incredibly and unnecessarily emotionally manipulative.

The point is to highlight how dangerous and thankless police work can be. I’m not arguing that being a police officer can’t be dangerous. My police officer father ended up with a broken knee incurred while handling a domestic violence call (and the guy later apologized for it; such is life in a small town). But when it comes to dangerous jobs in America, law enforcement doesn’t crack the top ten list. According to some lists, they don’t even make the top 25. In fact, police officers kill more people in the line of duty then they themselves are killed. They may end up in some dangerous situations, but the odds are in their favor.

Something that cop shows in general, particularly with these kinds of episodes, don’t acknowledge.

And if you wanna talk thankless, look at any customer service job.

My biggest issue with these episodes, outside of the inaccuracies I’ve already mentioned, is how it’s implied that a cop’s life has more value than anyone else’s simply because of the job they do. And that is bullshit. Not just because of the inaccuracies I’ve already point out, but also because nobody’s life is inherently more or less valuable than anybody else’s.

To drive home the point that these cops’ lives are so much more valuable than the average citizen, they have the cop hater right there to highlight just how derided and misunderstood the police are. Nothing gets the audience more on the side of law enforcement than some asshole screaming “pig” at our heroes. Especially after they’ve lost one of their dear uniformed friends whose name we don’t bother to learn.

It all ends up being overwrought and grating and, like I said, unnecessary. In the context of the show, we already ride with the idea that a cop’s job is dangerous and their work is thankless because of how many dangerous situations we see our favorites in (some of which they don’t survive) and how often they’re disrespected in the course of their investigations. We already know.

This very special episode isn’t required.

Book ’em, Danno–Episode 52

Book 'em Danno Podcast

Welcome to Season 5!

Things kick off with a big time criminal enterprise in “Death Is a Company Policy” and we get introduced to Kono’s replacement Ben Kokua and Duke begins his recurring run in earnest.

And then Five-O untangles a web of lies in “Death Wish on Tantalus Mountain”. Ricardo Montalban is back (but not in yellow face!). Diana Muldaur returns. And a race car sort of returns.

Listen on Soundcloud, Apple Podcasts, and Spotify.

The team is ready for a new season. Are you?

season 5 team

Rerun Junkie Confession–I Love a Woman Who Takes Care of Business

I was initially inspired to write this post by Miss Simpson in the Season 5 Hawaii Five-O episode “Death Is a Company Policy”, and what I was actually going to confess was that I liked ruthless women. Miss Simpson was a representative of a criminal enterprise so vast it oversaw the work of numerous smaller scale criminal bosses. It’s at first thought that Miss Simpson is nothing more than an accountant sent to audit the criminal books of one of their branch managers, Piro Manoa. However, as the episode progresses, we come to understand that Miss Simpson is more than just an accountant. She’s an important part of their organization and makes the tough, crucial decisions when she has to.

And then just two episodes later came Joyce Hensley in “You Don’t Have To Kill To Get Rich, But It Helps”. The only female exec in a blackmail insurance business, she has a keen eye for good insurance prospects. She also reads Sam Tolliver for filth after only a five minute chat. Cool, calculating, and, well, ruthless.

But in that same episode is a character named Dollie. She’s a madam with amazing fashion sense who takes no shit from Ben. You get the sense that she’s good at her job and she takes care of her girls, but she’s no soft touch. She’s not ruthless. She’s just takes care of business.

And that’s what I really like. A woman who can take care of business. Miss Simpson and Joyce Hensley both displayed that even though their business is on the criminal side of the tracks.

So, let’s flip the script. What about Callie Duquense on CSI: Miami? Here is a woman who brings down the bad guys with same sort of efficiency and ruthlessness as her criminal counterparts I just mentioned. She’s not intimidated when challenged and she has remarkable emotional control even in the most stressful situations. She gets shit done.

Della Street on Perry Mason also comes to mind when it comes to efficient women on the right side of the law. To the untrained eye, she’s just a secretary. But Perry wouldn’t be able to vex Hamilton Burger by beating him in court if Della wasn’t on top of her game. She even keeps Paul Drake in check and that’s no easy task.

Women don’t have to be in law enforcement -or on the opposite side of it- to take care of business. When I was thinking of all of the women I admire, two nurses immediately popped into my mind: Major Margaret Houlihan on M*A*S*H and Dixie McCall on Emergency!.

Dixie is the head ER nurse. There were actually episodes that showed how things went to shit without Dixie in charge. She’s the one choreographing intricate dances of life or death with her staff. Doctors might be running the show, but it’s the nurses who have to anticipate their needs. Dixie got shit done because lives depended on it. And she was good at it.

The same can be said for Major Margaret Houlihan. A career army nurse. She’s in charge of a group of nurses in a war zone. She’s orchestrating order in devastating chaos. Even when taking into consideration her early season shenanigans, Margaret never messed around when it came to nursing. Taking care of those soldiers was her job and she took care of business.

What’s interesting about most of the women I’ve listed in this post (as guest stars we didn’t really see enough of Miss Simpson, Dollie, and Joyce Hensley) is that even though they could be considered strong women because of how effectively they got their shit done, it didn’t preclude them from having emotions. Sometimes the stress or the situations got to them, but they handled it, just like they handle everything. And they handled it in such a way that it didn’t stop them from taking care of business.

And I unabashedly love women like that.

Book ’em Danno Minisode–“Goodnight, Baby- Time to Die!”

Book 'em Danno Podcast

When Episode 49 of Book ’em, Danno came out, I mentioned that I had to edit a chunk of conversation between Dan Budnik and myself out due to the fact that it contained spoilers outside of spoiler territory.

I also threatened to release it as a minisode.

Well, here it is.

Enjoy!

Soundcloud iTunes Spotify

WARNING: It should go without saying since I already said it, but I’m going to say it again…This entire little minisode contains spoilers for the episode “Goodnight, Baby- Time to Die!”. So if you haven’t seen it, you may want to skip this. And if you haven’t listened to Dan and I chat in Episode 49, you’re not going to have any context for this and you may want to skip it.

Okay? Okay.

Rerun Junkie Writer–Jerome Coopersmith

I’ve written quite a few posts in my Rerun Junkie Guest Star series, so I’m obviously long overdue to begin a series about the Rerun Junkie Writers. After all, without the writers, those guest stars that I love and adore have nothing to say.

It’s a shame that I was motivated to finally begin the series due to the recent passing of one of those writers.

Jerome Coopersmith only has 36 writing credits on IMDB, but most of them are for TV shows. He’s got a creator credit as well as writing credits (he wrote every episode) for the short-lived 1977 series The Andros Targets. He wrote 20 episodes of Armstrong Circle Theater and 18 episodes of Johnny Jupiter. I had to look that latter up. It’s a show about a general store clerk who invents an inter-planetary TV and befriends a puppet named Johnny Jupiter. This could be a kids’ show. Or it could just be 1950’s TV on the Dupont network.

He wrote for other anthology shows like Kraft Theatre and The Alcoa Hour; early crime-fighting series like Brenner and Harbormaster; and later popular shows like Combat!, Doctors and Nurses, and Medical Center. I’m sure I’ve seen his episodes of The Streets of San Francisco, Spenser: For Hire, and A Man Called Hawk.

But most of the TV episodes he wrote -and the work I’m most familiar with- was Hawaii Five-O.

Of the 32 episodes he wrote for the show, 3 of them I picked to be my favorites of their season. Considering there’s 12 seasons and a quite a few writers, it’s pretty impressive that he wrote a quarter of my favorites.

But he also wrote several of my runners up and other memorable ones.

He’s responsible for the excellent episode “Samurai” (but I doubt he’s responsible for Ricardo Montalban’s yellow face); put McGarrett’s life in jeopardy twice in the same season with “A Bullet for McGarrett” and “Blind Tiger”; came up with some brilliant and fun plots in “Didn’t We Meet at a Murder?”, “Death is a Company Policy”, and “Welcome to Our Branch Office”; did a little PSA-ing with “Chain of Events” and “Diary of a Gun”; and revisited a character from the second season episode “Just Lucky, I Guess” in the eighth season episode “McGarrett is Missing”.

And these are just a few of the terrific episodes he wrote for the show. The man never had a dud, at least as far as I’m concerned.

For some reason, he sometimes wrote under different names (Edit: Mr. Coopersmith’s daughter graciously provided the answer in the comments of this post). He has several TV episodes, including multiple episodes of Hawaii Five-O, credited as Jay Roberts and several TV movies credited as Ken August.

As if his resume wasn’t impressive enough, he also wrote plays and musicals that ended up on Broadway, and even earned a Tony nomination for his Sherlock Holmes musical Baker Street.

But no matter the name, the stage, or the screen, the result Jerome Coopersmith produced when he put pen to paper was always the same.

Fantastic viewing.

Thanks to Chris for linking me to Jerome Coopersmith’s obituary article.

Book ’em, Danno–Episode 51

Book 'em Danno Podcast

Season 4 comes to a close with “R&R&R”. A killer is murdering the wives of soldiers who are meeting them in Hawai’i for R&R. It’s a tricky case of vengeance that Five-O must unravel.

I also do my usual inadequate season wrap-up. I think in all of my ramblings about my tallies and such I forgot to mention that Season 4 is a strong season. There’s a nice variety of cases, the two-parter was bonkers in a very good way, the return of Lewis Avery Filer was fabulous, and there was a balanced mix of fun and serious. Did not disappoint.

You can listen to me not say any of that on Soundcloud, iTunes, Spotify, and Stitcher.

As always, there will be a hiatus in August, but I will be back in September with Season 5.

Until then, please enjoy Steve doing a Superman-change on a plane.

undercover airplane steve

The Book ’em, Danno Tier

If you’ve ever listened to the Book ’em, Danno podcast, then you know I occasionally push my Patreon. At present it has four different tiers -$1 general support; $2 writing; $3 audio; and a $5 tier that will be undergoing a change starting August 1st.

That’s when it will become the Book ’em, Danno tier.

For $5 a month, subscribers will get early access to Book ’em, Danno episodes (1 to 2 weeks in advance, schedule depending) starting in Season 5 (September 2023) as well as bonus content in the form of either early access to minisodes or tier exclusive content. Subscribers will also get access to the main content of the other tiers.

Why am I doing this?

The previous $5 tier project -Five Minutes- came to a conclusion. Frankly, it didn’t work out and that’s okay. I needed a new project. And since I’m doing Book ’em, Danno anyway…

The thing is that I finally feel good enough about my podcasting process to be able to offer this. I’ve got a decent production rhythm down that allows me to get the episodes done ahead of time so it won’t be any added effort to do them for Patreon.

There’s no obligation to become a patron, of course. The episodes will still be available for free at the end of every month. You might miss out on some of the bonus content if it’s tier exclusive, but the main podcast that you’ve been listening to for the last four seasons will continue on as normal. I just want to make sure that as many listeners as possible are aware of this change in case it might be something that they’re interested in.

So, if you are one of those who might be interested, head on over to my Patreon and become a patron!

Until next time…

Aloha.

Have You Watched…?

I’ve not watched all the reruns in the world, but it’s still a fair question to ask someone who proclaims themselves to be a rerun junkie if they’ve watched a certain rerun.

Frequently, my answer is yes, but not for a long time or I watched it back in the day, but haven’t watched it since, or I’ve seen a few episodes years ago. I consumed an unlikely amount of reruns as a child and many of them, I haven’t seen since. I don’t think I’ve watched a full episode of Bewitched or I Dream of Jeannie in years, maybe not since grade school, but I know I’ve seen the entire run of both series while getting ready for school in the morning in the long, long ago of the ’80s.

I probably haven’t watched Airwolf since it first aired, but that was can’t miss TV for me back in the day. With the exception of a few episodes, I probably haven’t watched TJ Hooker or MacGyver since junior high. But I know I’ve seen almost every (if not every) episode of those shows, too.

So when I say I’ve seen something, I probably have. But it’s more than likely that it’s been so long that I don’t remember specifics about episodes.

Of course, there are series that I’ve heard of, but have never seen for one reason or another. The Adventures of Ozzie and Harriet come to mind. Sure it was one of those black and white reruns that tended to get early morning play around here, but I never watched an episode of it. Never really had the interest. Not every show that I have knowledge of and access to is going to be something I want to devote my time to watching, even for a rerun junkie like me. And that’s okay! It has nothing to do with the quality of the show. It’s just personal preference. You don’t have to watch everything to be a rerun aficionado.

Because there are shows that we know about, but don’t have access to.

And there are shows that we don’t know about yet.

It was only in the last few years that two of the shows I talked about on Eventually Supertrain came into my awareness –Automan and Tales of the Gold Monkey. I enjoyed both series and never would have known about either of them if it weren’t for a little happenstance -being a fan of David Hewlett since Stargate: Atlantis and learning through following him on Twitter that he’d starred in an Automan parody short called Hewlogram, and being absurdly smitten with Jeff MacKay and seeking out shows he’s been in for my viewing pleasure.

Speaking of Eventually Supertrain, how many short-lived shows that I’ve never heard of has Dan introduced me to and put on my watch list? The Immortal, Lucan, Shadowchasers, Cliffhangers…he’s doing the TV Lord’s work putting these sorts of shows on people’s radar.

So many shows I’ve never heard of came into my awareness through Book ’em, Danno guest star research. I don’t think I ever would have known of David Cassidy -Man Undercover otherwise. It became a Holy Grail Show for me, one of those shows that I just had to see, but there didn’t seem to be a way to view it. I lucked out big time when it was made available on Crackle.

My other Holy Grail Show is Trauma Center, which was the fourth Glen A. Larson show released in 1983 (the other three being Manimal, Masquerade, and Automan, all of which have been covered on Eventually Supertrain). It doesn’t seem to be available anywhere, but one day, I will find it. And I will watch it. And it will be glorious.

There’s no telling how many shows there are that I haven’t discovered yet. And my list of shows to watch is growing. But I have seen quite a few now.

So go ahead. Ask me if I’ve watched a show.

We might all discover something.