Rerun Junkie Show–Gunsmoke

It’s the longest running western. It’s tied for the longest running prime-time drama (thanks, Law & Order). Twenty years is a long time on the air and 635 episodes is a lot of episodes.

Twenty years also means different opening credits.

Twenty years also means different opening credits.

Set in Dodge City, Kansas, Gunsmoke is the story of Marshall Matthew Dillon (James Arness) as he tries to bring justice to the Wild West. Assisted over the years by friends Doc (Milburn Stone), Chester (Dennis Weaver), and Quint Asper (Burt Reynolds), deputies Festus (Ken Curtis), Thad (Roger Ewing), and Newly (Buck Taylor), and the saloon owner Miss Kitty (Amanda Blake) and her bartender Sam (Glenn Strange), Matt faced off against a host of bad guys, troubles, injuries, moral quandries, and injustice.

And let me tell you, there was plenty of all of that. I haven’t seen every episode of this show. Probably haven’t even seen half of them (and it started out on the radio with William Conrad as the voice of Matt Dillon, so the saddle bag of history overflows). But I can tell you that they did not skimp on the drama, nor skirt some of the heavier issues. In addition to the usual robbery, revenge, and death you expect on a western, the show had episodes involving rape, white slavery, racism, bigotry, abuse of all kinds, greed of all kinds, murder of all kinds, and that’s just what I can remember off the top of my head. I think every one of the main cast was falsely accused at one point in time and a few even faced the rope, only to be saved at the last minute. I know Festus was nearly hung on several occasions, head in the noose and all before he was saved, and when he was saved NO ONE EVER APOLOGIZED. Really. Nobody ever bothered to be like, “Hey, sorry we nearly killed you. Our bad.” Nothing. I think if you nearly hang someone  and then find out he’s innocent just before you kick the horse out from under him, you should at least have the decency to say you’re sorry. But that’s just me.

This is the cast configuration I know best. See the smiles? The Wild West wasn't a total downer.

This is the cast configuration I know best. See the smiles? The Wild West wasn’t a total downer.

Not every episode was heavier than a blacksmith’s anvil. Many of them were light and quite funny. Typically, anytime Festus was heavily involved, especially if any member of his family showed up, it’s going to be a good time. Festus episodes tend to be my favorite. But no matter what the nature of the episode is, any conversation between Festus and Doc is going to be gold.

Gunsmoke is one of those shows that could have a post of it’s own on just the guest stars. That’s what happens when you’re on forever. Everyone ends up on your show. But here area  few I find worth mentioning: familiar names Nick Nolte, Gary Busey, Harrison Ford, Dennis Hopper, Richard Dreyfus, Jodie Foster, Diane Ladd, and Charles Bronson; Bruce Dern, Royal Dano, John Dehner, John Anderson, Lee Van Cleef, Jack Elam, Strother Martin, Harry Carey Jr, and Claude Akins, who were required by federal law at the time to appear in every western TV show; my favorites Ross Martin and Joyce Jameson; J. Pat O’Malley, Nehemiah Persoff, Virginia Gregg, and Vitto Scotti, who were required by federal law at the time to be in every TV show; Kurt Russell and his daddy Bing; Buck Taylor’s daddy Dub; Brock Peters, Cicely Tyson, Yaphet Kotto, and Keye Luke; Ron Howard and his brother Clint; John Saxon, Sid Haig, and Richard Jaeckel; and leading ladies Bette Davis, Vera Miles, Margaret Hamilton, and Gloria DeHaven.

This isn’t even the tip of the ice berg. It’s a mere clump of snow on an ice planet.

Like many of my reruns, I started watching Gunsmoke because there was nothing else on. Having seen episodes from the last eight or nine seasons multiple times now, I can see why this show was on the air for so long. There was always a problem to be solved, a danger to overcome, a gunslinger to tame, a thirst for revenge to quench. This show had it all, right down to the romantic tension between Marshall Dillon and Miss Kitty (how scandalous!).

Dodge City may have faced drought a time or two, the drama well never ran dry.

Bless Festus, his mule, and his abused hat.

Bless Festus, his mule, and his abused hat.

Rerun Junkie Show–Voyage to the Bottom of the Sea

Oh where would I be without my LSD nigh nigh show?

Where the weird shit lives

Where the weird shit lives

Voyage to the Bottom of the Sea is a 1960’s Irwin Allen television show based on an Irwin Allen film of the same name. The show features the crew of a submarine called the Seaview which is headed by Admiral Nelson (Richard Basehart) and his right-hand man Captain Crane (David Hedison) and all of their wacky hijinx.

Okay, they only seem wacky because this was ’60s sci-fi and the first season (in black and white) was much more serious in tone, featuring mostly Cold War-inspired espionage and foreign baddies along with some sub-in-trouble episodes and only a few really weirdo episodes. Most of the sci-fi came from the submarine and the tech that everyone was using.

When the series went to color in the second season, that’s when things really started getting fantastic and stayed that way until the end of its four year run. In that time, the poor crew of the Seaview dealt with ghosts, werewolves, clowns, wax men, lobster men, a literal fire man, frost men, shadow men, a leprachaun, and my personal favorite, sentient seaweed, among other wild things. The crew, which included Chip (Robert Dowdell), Chief Sharkey (Terry Becker), my favorite crewman Kowalski (Del Monroe), Curley (Henry Kulky, who sadly passed away after the first season), Patterson (Paul Trinka), and Doctor (Richard Bull, aka Nels Oleson from Little House on the Prairie), always managed to come out victorious (though many nameless crew members often bit it in the course of victory, though no one ever seemed to mind) and probably could have used a pay raise, extra leave time, and maybe some PTSD therapy for the shit they’d seen.

"Sir, there's something on sonar."  "Probably some science experiment gone wrong. Let's poke it with a stick."

“Sir, there’s something on sonar.”
“Probably some science experiment gone wrong. Let’s poke it with a stick.”

And they saw a lot. They ended up inside whales and jelly fish. They disappeared. They went back in time. They transported murderous gorillas and mermaids with not much better temperaments. They diffused bombs and battled saboteurs. Everybody got kidnapped at least once and Chip ended up on Venus (sometimes I think he probably wishes they left him there).

They also saw a lot of people for a crew that spent most of their time on a submarine that always seemed to be on fire. Guest stars included: John Banner and Werner Klemperer before they went to work at Stalag 13; James Doohan and George Takei (this was probably great training for their Star Trek journey); Ed Asner; Tom Skerritt; James Brolin; Jill Ireland; Batman heroine Yvonne Craig and Batman villain Victor Buono; my horror movie love Vincent Price; Paul Fix, Jacques Aubuchon; June Lockhart, who didn’t have to do laundry for a change; John Fujioka; Brooke Bundy; Irene Tsu; John Dehner, John Hoyt, Nehemiah Persoff, John Anderson, Kevin Hagen, and Peter Mark Richman because I think it was required by law for those guys to be on your show in the ’60s and ’70s; Michael Constantine, who worked under the same law, but for more decades; Michael Ansara; George Lindsey; Leslie Nielsen; Robert Duvall as an alien (this is when I knew the series was going to really be something); James Frawley; Victor Mature; Nicholas Colasanto long before Cheers; Frances X. Bushman; James Darren; Patrick Wayne; John Cassevettes; Michael Dunn, whom I immediately recognized under his clown make-up the second he smiled; and if you pay attention to the crewmen in the background, you’ll see our old friend Marco Lopez (Emergency!) in about twenty episodes of the last two seasons.

This is one of those shows where it was probably absolutely amazing to the viewing audience at the time, especially after the show went to color, but now is pretty hokey looking with some really far out storylines. I mean, the lobster man was something to behold because it didn’t quite look like either. And I’m not joking when I say the Seaview was always on fire. It seems like something in that sub is always on fire. Even the Garvey’s barn didn’t burn this much.

But it’s a super fun show.

I couldn’t get to sleep on Saturday nights without it.

Really, what IS that?

Really, what IS that?

Rerun Junkie Show– The Big Valley

Though the TV Westerns were starting a downward trend, there was still a need for the adventures of a strong matriarch and her brood of grown kids.

Big Valley

The Barkley family included widowed mother Victoria (Miss Barbara Stanwyck), eldest son and lawyer Jarrod (Richard Long), rowdy son Nick (Peter Breck), only girl Audra (Linda Evans), bastard son Heath (Lee Majors), and youngest and rarely seen son Eugene (Charles Briles).

Over the run of the show, the Barkley clan dealt with murders, rustlers, bigots, prejudice, political scandal, PTSD (though it wasn’t called that), corruption, rabid wolves, mountain lions, dynamite, forest fires, and folks that just didn’t like rich families named Barkley.

But they're so delightful! And hardly snobby at all!

But they’re so delightful! And hardly snobby at all!

Friends and enemies of the Barkleys included: Western staples Royal Dano, Claude Akins, Dub Taylor and son Buck; Bing Russell; Richard Anderson; LQ Jones; James Gregory; in everything at the time Harold Gould, Virginia Gregg, Nehemiah Persoff, J. Pat O’Malley, John Hoyt, John Dehner, Dabbs Greer, and Kevin Hagen; Gavin MacLeod; Paul Fix and Johnny Crawford; Robert Fuller and Julie London, with a Bobby Troup cameo; Adam West, Yvonne Williams, and Van Williams (Batman, Batgirl, and Green Hornet); Sheree North; Jeanne Cooper; Eve Plumb; Pernell Roberts; Wayne Rogers; Mako; big names (either current or future) Dennis Hopper, Yaphet Kotto, Charles Bronson, William Shatner, Buddy Hackett, Diane Ladd, Ellen Burstyn, Milton Berle, Leslie Nielsen, Anne Baxter, Karen Black, Regis Philbin, Cloris Leachman, Ron Howard, Martin Landau, Colleen Dewhurst, and Richard Dreyfus; Keye Luke; Joe Don Baker; Judy Carne; Arlene Golonka; Russell Johnson; and Joyce Jameson.

As I mentioned before, Heath was a genuine bastard son, the product of a romance between Tom Barkley (Victoria’s dead husband, but he wasn’t dead at the time of the affair because it was scandalous, but not THAT scandalous) and another woman when he was in a bad way.  In fact, a few episodes were devoted to this bit of scandal, including the pilot when Heath first shows up to claim the Barkley name and an episode in which Victoria travels to Heath’s hometown to found if Tom loved Heath’s mother and if he loved her. Pretty deep and saucy stuff for a Western.

Part of the afternoon Western line-up at the time, I got sucked into watching because there was nothing else on. I quickly noticed defining character elements: Jarrod frowns; Heath glares; Audra frets; and Nick (my favorite) punches people. And Victoria Barkley? Oh, she just kicks ass. Seriously, the woman could handle a gun and a whip and she went up against anyone without flinching. I wouldn’t mind being her when I grow up.

Maybe with less blue eye shadow thought.

She owns it. And you will call her ma'am.

She owns it. And you will call her ma’am.

Rerun Junkie Show–The Addams Family

They’re creepy and they’re kooky, mysterious and spooky, they’re all together ooky…and most likely more fun than your own family.

Snap along!

Snap along!

This fun ’60s show featured an oddball clan led by father Gomez (John Astin), mother Morticia (Carolyn Jones), children Pugsley (Ken Weatherwax) and Wednesday (Lisa Loring), the witch-like Grandmama (Blossom Rock), light bulb enthusiast Uncle Fester (Jackie Coogan), the hairy-adorable Cousin Itt (Felix Silla), and the loyal and prompt butler Lurch (Ted Cassidy). The family was always frequently aided by a helpful hand-in-a-box named Thing.

Enlightening!

Enlightening!

The house was a museum (as stated by the theme song) filled with curious objects like a noose that rang a gong for the butler, a foghorn doorbell, a rack, an iron maiden, suits of armor, an elaborate train set with frequently crashing trains, and a bear rug that roared. Being a typical family, they had their pets: Morticia had an African Strangler plant named Cleopatra and a vulture named Zelda; Pugsley had Aristotle the octopus;  Wednesday had spiders like her black widow named Homer; and of course, there was their lion named Kitty Cat.

The family had a rather spooky view of life. They lived for Halloween, ate weird foods and even poisons, clipped the roses off of their thorny stems and kept the stems, practiced fencing in the living room, made potions, had a dungeon, camped in swamps, and were generally odd, much to the chagrin of neighbors and the fright and/or awe of folks that stopped by. The oddness didn’t affect the Addams family wealth, though, and Gomez (a lawyer) employed a stock broker who managed the weirdness in the name of money.

Among those that dropped in at the Addams’s residence: Vitto Scotti and Virginia Gregg, because they stopped in everywhere; Margaret Hamilton as Morticia’s mother (a fitting role for the Wicked Witch of the West); Don Rickles; Parley Baer; Ellen Corby down from Walton Mountain; Hal Smith, better known as Mayberry town drunk Otis; Meg Wylie; Marty Ingels; Jack LaLane; Peter Bonerz before he became a dentist in the same building as Bob Newhart; Madge Blake, Dick Grayson’s Aunt Harriet; and Richard Deacon.

While the family was pretty bizarre in a fun way, they still dealt with the usual family troubles and resolved them in their own way. When a neighbor told Wednesday that witches didn’t exist (like telling a kid there’s no Santa), they held a seance to conjure up a long dead (burned at the stake) witch relative named Aunt Singe. When Morticia thought Gomez had gone broke, she and the rest of the clan rallied around to make money on the sly so his ego wouldn’t be hurt (Lurch and Uncle Fester were escorts, Morticia taught fencing, Grandmama became a beautician, and the children set up a lemonade stand that sold something not quite like lemonade…even Thing sold pencils). When Gomez was insulted by the property tax bill (it was something like eight bucks and he thought they should have been charged much more for their beautiful palace), he ran for mayor with the family helping his campaign.

They helped each other, supported each other, and genuinely loved each other. Keep your Romeo and Juliet; I want a love like Morticia and Gomez!

This could be us, but you playin'.

This could be us, but you playin’.

This is one of those shows that I watched a lot as a kid, enjoying the randomness and wackiness of the family. I’ve since rediscovered it and am now enjoying all of the hilarious dialogue that I missed as a kid.

Fester: (talking about the neighbor that told Wednesday that witches didn’t exist) I still think he should be horsewhipped. I’m going to get a horse!

Morticia: (in response to Gomez asking if Aunt Singe likes children) All witches love children. Remember Hansel and Gretel?

Morticia: (explaining Cousin Itt’s dilemma) He hasn’t quite found himself.

Gomez: And with Cousin Itt that isn’t easy. He looks the same from every angel.

Not to mention the variety of meanings of Lurch’s groans and Cousin Itt’s gibberish.

It’s one of those shows that I wish would have lasted longer than two seasons, but I’m still happy that I found it again. So let’s sing the theme song one more time!

Thank you, Thing.

Thank you, Thing.

Rerun Junkie Show–Murder, She Wrote

One of the few reruns that I had the pleasure of watching first run before it became a rerun junkie delight, to me, it was never just for old ladies.

I told my niece that's taking piano lessons if she didn't learn this theme song, her lessons were a waste.

I told my niece that’s taking piano lessons if she didn’t learn this theme song, her lessons were a waste.

Murder, She Wrote follows the exploits of widowed former-teacher Jessica Fletcher (Angela Lansbury) who now writes mysteries under the name of J.B. Fletcher and solves a few in her spare time. In her quaint hamlet of Cabot Cove, she’s assisted by first Sheriff Amos Tupper (Tom Bosley) and then his successor Sheriff Mort Metzger (Ron Masak) and local doctor Seth Hazlitt (William Window). Most, if not all of the mysteries, were murders, so a lot of people died in Cabot Cove. The guy adjusting the population number on the welcome sign was always busy.

But, it wasn’t just Cabot Cove that was filled with people offing their neighbors left and right. Wherever Jessica Fletcher went, people died (sort of an important component of the series, but it made the woman look like the Angel of Death). At a circus? Murder. On an airplane? Murder. Trapped in a cafe during a storm? Murder. Trapped in a ski lodge during a storm? Murder. At the stockbroker’s office? Murder. In a prison? Murder. At an archaeological dig? Murder. At a wedding? Murder. At a crazy friend’s house? Murder. On a ranch? Murder. At a local inn? Murder. In Sleepy Hollow? Murder.

Here a murder, there a murder, everywhere a murder murder.

They mysteries were pretty straight-forward. They introduced the principal characters, someone died, an investigation ensued, and Jessica would solve it before the credits rolled. A simple formula that could be used to in so many ways, the stories didn’t really get old.

I admit that most of my favorite episodes take place in or near Cabot Cove, or at least with one of the sheriffs or doctor. The chemistry Dame Lansbury has with Mr. Tom Bosley and Mr. William Windom, and later Mr. Ron Masak (who is one of my favorites), is fabulous. You’d never get tired of having lunch with that group.

So, do want to investigate a murder before or after lunch?

So, do want to investigate a murder before or after lunch?

 

The show ran for twelve years with over 200 episodes, so I’m not exactly exaggerating when I say EVERYONE was on this show. It took me hours over days to sort through everyone before I realized that I could do a whole blog post on the guest stars alone, which I’ll probably end up doing at some point. In the meantime, I decided to do a very short list featuring the names I wanted to feature. Neener.

Other recurring characters on the show included:Michael Horton as Jessica’s often-in-trouble nephew Grady; private investigators Jerry Orbach as Harry McGraw (who got his own, short-lived spin-off) and Wayne Rogers as Charlie Garrett; Keith Mitchell as jewel thief Dennis Stanton; Len Cariou as British agent Michael Hagarty; Herb Edleman as Lt. Artie Gelber and Ken Swafford as Lt. Catalano, the law enforcement Jessica often collaborated with when she was in New York (not my favorite episodes, sorry, guys); Cabot Cove folks Claude Akins as Captain Ethan Cragg, Julie Adams as Eve Simpson, Richard Paul as Mayor Samm Booth, John Astin as Harry Pierce, and Will Nye as Deputy Floyd and Louis Hearthom as Deputy Andy Broom.

Familiar faces from the reruns I’ve blogged about here include: Kevin Tighe, Randolph Mantooth, Robert Fuller, Marco Lopez, Vince Howard, James McEachin, Harry Morgan, Martin Milner, Kent McCord, Adam West, Cesar Romero, Frank Gorshin, Lee Meriweather, James MacArthur, Chuck Connors, Johnny Crawford, Dirk Benedict, Melinda Culea, Eddie Velez, Robert Vaughn, William Lucking, Lance LeGault, Rue McClanahan, George Grizzard, Monte Markham, Melissa Sue Anderson, Karen Grassle, Bonnie Bartlet, Dean Butler, Max Gail, Gregory Sierra, Ron Glass, Abe Vigoda, David Soul, Alan Hale, James Hampton, Forrest Tucker, Joe Santos Noah Beery Jr, Gretchen Corbett, William Conrad, and David Hedison (okay, I haven’t done Voyage to the Bottom of the Sea yet, but I’m going to!).

And just think…that’s the only the tip of the ice berg when it comes to familiar faces.

This is one of those shows that never fails to entertain me, no matter how many times I’ve seen an episode. I catch new things each time I watch it. And Jessica Fletcher is a delightful woman to spend an hour with.

Mostly because you know that you’re the one that won’t end up dead.

Whoops! Another body!

Whoops! Another body!

Rerun Junkie Show–The Rifleman

Though there was a huge boon of Westerns on TV during the fifties and sixties and therefore plenty of reruns of said Westerns, I am rather ambivalent to most of them, using most of them as background noise on the afternoons I’m not working a day job. However, a couple of them have captured my heart and one of them is The Rifleman.

The Rifleman

The Rifleman features Lucas McCain (Chuck Connors) and his son Mark (Johnny Crawford) building a life in the town of Northfork in the New Mexico territory back before New Mexico was a state and the 20th century was a thing. Lucas’s expertise with a rifle proves to be a valuable asset to Marshall Micah Torrence (Paul Fix) as they both try to keep some law and order in the Wild West.

"C'mon, Micah. We got some lawin' to do."

“C’mon, Micah. We got some lawin’ to do.”

The town had it’s share of familiar faces over the years. Hope Summers, Billy Quinn, Patricia Blair, Joe Higgins, Joan Taylor, and Harlan Warde all played recurring characters during the run of the show. Guest stars included: frequent TV guest stars John Anderson, Richard Anderson, Dabbs Greer (who played a different character in back-to-back episodes; I had to look it up when I first saw it to make sure Me-TV wasn’t airing them in a funny order or it was a season finale/season premier and it wasn’t), Kevin Hagen, William Schallert, Vito Scotti, John Dehner, and John Hoyt; lovely ladies June Allison, Agnes Moorehead (as a really fun character), Grace Lee Whitney, and Patricia Berry; Michael Landon and Dan Blocker before they were on the Ponderosa;  Robert Culp, Martin Landau, and Robert Vaughn before they were spies; James Drury before he was the Virginian; Ellen Corby before she was a grandma;  Frank DeKova before he was a chief of the Hekawi; Adam West before he was Batman; Lee Van Cleef, Royal Dano, Jack Elam, and Denver Pyle (because I think it was a law that they had to be on every Western TV show);  some nobodies like Dennis Hopper, Sammy Davis Jr., James Coburn, Buddy Hackett, and Lon Chaney Jr; and Robert Crawford Jr (Johnny’s brother) and Jeff Connors (Chuck’s son).

(You have no idea how many people I left out. Watch the show to see a whole lot of familiar faces, many of them very young.)

North Fork, like many old west towns in these shows, is a magnet for some real jerks. Bank robbers, kidnappers, gunfighters, murderers, thieves, cattle rustlers, bullies. Naturally, this sort of thing leads to trouble and many times that trouble was solved with Lucas’s rifle. But! That wasn’t the lesson Lucas taught his son. He taught the boy that the rifle was the last resort and it was never something he wanted to use.

This sort of thinking, however, did not apply to anyone messing with Mark. Over the course of the series, Mark got kidnapped or taken hostage, I don’t know, more times than any normal boy is kidnapped/taken hostage during their years between 10 and 15. A few times a season, at least. Anyway, whenever someone threatened/kidnapped/hostaged Lucas’s boy, the shit hit the fan and then Lucas hit the bad guy. Repeatedly. Maybe choked him. Stomped him. Kicked him. Hit him some more.

The backbone of the series really wasn’t Lucas shooting bad guys; it was his relationship with his son Mark. As a widower, he did his best to raise his son right. And he loved his son, that was very clear. He protected him (when he wasn’t getting kidnapped and such) and educated him in the ways of morals and values. For a man that used his gun every episode, he wasn’t keen on his son picking up one of his own too soon. And just as the show didn’t shy away from morals, it didn’t shy away from father-son affection, either. There’s never any doubt that Lucas loves his son and he’s not afraid to show it.

Try getting away with that today. Folks would be hollering “sissy”.

I don’t think it would be smart to take that attitude with the rifleman.

Father and son. They can't be beat.

Father and son. They can’t be beat.

Rerun Junkie Show–F Troop

John Wayne couldn’t patrol the entire Old West. Forts were established to help protect those wild areas. None were as funny, though, as F Troop.

...with a bang and a boom...

…with a bang and a boom…

The show revolved around Sgt. Morgan O’Rourke (Forrest Tucker) and Cpl. Randolph Agarn (Larry Storch) working to make their side business profitable while keeping it secret and also keeping their favored Captain Wilton Parmenter (Ken Berry) happy and oblivious, while he tries to keep the enamored Wrangler Jane (Melody Patterson) enamored without being TOO enamored. O’Rourke and Agarn worked with the Hekawi tribe, led by Chief Wild Eagle (Frank DeKova) to sell souvenirs, but also to help keep up certain illusions with Captain Permenter at the fort.

Members of F-Troop included lousy bugler Dobbs (James Hampton), blind sentry Vanderbilt (Joe Brooks), and Alamo veteran Duffy (Bob Steele). Chief Wild Eagle was aided by his son Crazy Cat (Don Diamond), who was more than ready to take over, Smokey Bear (Ben Frommer), and Roaring Chicken (Edward Everett Horton).

Chief Wild Eagle drives a hard bargain.

Chief Wild Eagle drives a hard bargain.

The show featured many of O’Rourke and Agarn’s get-rich quick schemes, including buying a ghost town, trying to get dancing girls for the saloon, trying to rope a wild horse to sell, and just about anything if the Hekawi could be made to agree to it. And since this was a Calvary post, there were always inspections, transfers, training, and other such military-minded things that Captain Parmenter was always prepared for as he always carried his trusty army manual with him.

Folks that stopped by Fort Courage included: James Gregory; Arch Johnson; Mako: funny men Henry Gibson, Don Rickles, Harvey Korman, Paul Lynde, Milton Berle, and George Furth; my forever favorite guest star J. Pat O’Malley; Catwomen Lee Meriwether and Julie Newmar; John Dehner; Zsa Zsa Gabor; Jaques Aubuchon (Boris!); Pooh and Baloo…I mean Sterling Holloway and Phil Harris; cowboys Jack Elam, Victor French (who I didn’t even recognize!), and Don ‘Red’ Barry; Vic Tayback; Jamie Farr (not in a dress but it’s this gig that led him to wear one); Mary Wickes; Jeanette Nolan; Pat Harrington, JR; and two of my favorite people Vincent Price and Joyce Jameson. Ivan Bell, John Mitchum, and Jimmy Horan also had recurring roles as troopers.

Let’s just get this out of the way right here. The show ran for two seasons in the 60’s (’65-’67). Political correctness hadn’t been invented yet. They called the Indians…Indians. In fact, they even use the word “redskin” in the theme song that was used the first season. None of the people playing Indians are Indians. This was commonplace at the time. Don’t let this detract from the show.

This is a show like Gilligan’s Island in the sense that it is quite silly, but it’s incredibly funny and probably wouldn’t have worked without this particular cast. Forrest Tucker and Larry Storch are brilliant together, their delivery and timing spot on. It’s hard to imagine anyone else doing the exact same scenes and having them be as funny. Ken Barry is a bit overshadowed because of this, but his Captain Parmenter is just as much fun and the interactions with Melody Patterson’s Wrangler Jane are both sweet and hilarious. Even though Frank DeKova and Don Diamond are basically playing stereotypes with the speech patterns and stuff, they’re still funny without every joke being about them being Indian. There are a lot of jokes that you can see coming a mile away and yet you still laugh.

I’m telling you, it’s all in the delivery.

I remember first seeing this show when I was a little kid (it was on late at night with Laugh-In, The Monkees, and Get Smart), but I never gave it much of a chance. I should have, though. I’ve missed out.

I was kinda dumb for a kid.

Don't cry, Agarn. I was said it only lasted two seasons, too.

Don’t cry, Agarn. I was sad it only lasted two seasons, too.

Rerun Junkie Show–Adam-12

When Jack Webb decided to shine a spotlight on the beat cops of LA, he created Adam-12.

"Adam-12 continue patrol and handle this call..."

“Adam-12 continue patrol and handle this call…”

The show featured veteran officer Pete Malloy (Martin Milner) and his novice (and later fellow veteran) partner Jim Reed (Kent McCord) handling the every day street work of two uniformed officers under the direction of their supervisor Sgt. MacDonald (William Boyett) and sometimes with the help of fellow officers Wells (Gary Crosby) and Woods (Fred Stromsoe). They received calls from real-life LA dispatcher Shaaron Claridge (I love it when she denies them a dinner break; her word is law!).

Our brave boys in blue on patrol.

Our brave boys in blue on patrol.

Unlike Dragnet, viewers weren’t treated to one case seen all the way to completion. Instead they got what beat cops got: sent out on several calls during the episode with no follow-up later on. And though there were some high-action, dangerous episodes, there were a lot of episodes that featured the every day, mundane calls that every cop in uniform has handled: traffic stops, domestic disputes over the stupidest things, theft calls in which there was no theft, lonely old ladies needing someone to talk to, nosy ladies constantly ratting on their neighbors.

My favorite was the two ladies fighting over a bruised melon. One wanted the other one arrested for taking it out of the store without paying for it and the other one wanted the owner to get into trouble for selling crap fruit. Malloy had a look of pure “You have GOT to be kidding me” during the whole thing.

You also had the pleasure of watching Malloy and Reed’s relationship develop from student-mentor to true partners. The chemistry between the two was fantastic and the good-natured ribbing is real.  Married Reed could be quite dedicated to convincing bachelor Malloy to join the club sometimes.

They clean up nice, too.

They clean up nice, too.

Like Dragnet before it and Emergency! after it, the show did wonders to boost the public’s understanding of how those jobs paid for by the taxpayers, this one being uniformed officers, worked. It was as much instructional as it was entertaining and I believe episodes are still shown to police officers as examples of how to handle certain situations.

As this was a Jack Webb show, several of his regulars showed up, including: Virginia Gregg (of course!), Burt Mustin, and James McEachin. Marco Lopez, Tim Donnelly, Bobby Troup, Ron Pinkard, and Randolph Mantooth all appeared in episodes as non-Emergency! characters (Kevin Tighe, Julie London, and Robert Fuller made their appearances during the cross-over episode “Lost and Found”). For Emergency! fans, the episode “Log 88-Reason to Run” is a highlight because Randolph Mantooth, Marco Lopez, and Tim Donnelly are all in it, though none of them share a scene. Fun!

Other familiar faces that popped up during the seven season run include: Larry Linville; Maidie Norman; my favorite guest-star J. Pat O’Malley; Frank Sinatra Jr; June Lockhart; Rose Marie; Jean Allison; Butch Patrick; Ellen Corby (before she was Grandma Walton); Keye Luke; future teen idols Willie Aames, David Cassidy, and Barry Williams; baby versions of Ed Begley Jr, Tim Matheson, and A Martinez; Karen Black; Cloris Leachman as a real crap mother; Tony Dow; Angela Cartwright; Barbara Hale; Robert Conrad sans Ross Martin (unless he was in disguise somewhere); George Murdock;

*takes a deep breath*

Micky Dolenz not Monkee-ing around; Harry Dean Stanton (who never looked young); Lindsay Wagner before she was Bionic; Sharon Gless; Scatman Crothers; Vitto Scotti because he was in everything; Dabbs Greer; Dick Clark; Brucke Kirby; Jo Anne Worley playing another roller derby girl; Mark Harmon; Mark Harmon’s sister Kristin Nelson; and Kent McCord’s daughter Kristen.

It was a good guest-breeding ground.

This is one of those shows that I only had the opportunity to start watching recently. And I’m grateful for that. I’ve developed quite the soft spot for Jack Webb and company shows anyway, but as a cop’s kid, this is one I can really relate to.

It also gave me the greatest intoxication measure ever.

Matador-in-an-intersection-drunk.

‘Cause that’s drunk.

These guys, though, they're drunk on justice.

These guys, though, they’re drunk on justice.

Rerun Junkie Show–Gilligan’s Island

Just sit right back and you’ll hear a tale…about a show that ran for three years in the 60’s and then lived forever in syndication.

For the five people with Internet access that have never heard of this show, here’s the rundown.

The theme song pretty much fills you in on the back story.

The theme song pretty much fills you in on the back story.

The Skipper (Alan Hale, Jr.) and his first mate Gilligan (Bob Denver) along with their five passengers, the Professor (Russell Johnson), farm girl Mary Ann, (Dawn Wells), movie star Ginger (Tina Louise), and the millionaire Howells, Thurston (Jim Backus) and Lovey (Natalie Schafer), were on a three hour tour of the Hawaiian Islands when they were blown way off course by a sudden storm and ended up stranded on a deserted island where hilarity ensued.

Our seven castaways.

Our seven castaways.

The show wasn’t exactly heavy on realism. For a group of people on a day trip, they ended up taking a whole lot of clothing with them (though there must not have been any room for the Skipper, Professor, or Gilligan to bring their wardrobes). The Professor could make anything from coconuts, bamboo, and palm leaves, but a boat. Everyone else in the world could arrive and leave the island as they pleased, but the castaways were perpetually stuck. Speaking of, anything in the world washed up on the shore or dropped down from the sky -mines, lions, space capsules, robots- but not a damn message could off of the place.

A few of the people that washed up on the shores, and then later left, included: Vito Scottie (four times!), Zsa Zsa Gabor, a 14 year old Kurt Russell in a loin cloth swinging from trees, Mel Blanc (voice only, of course), Hans Conreid aka Wrongway Feldman, Denny Miller, Larry Storch, Harold J. Stone, Nehemiah Persoff (taking a break from drama, I guess), Vincent Beck, Richard Kiel, Phil Silvers, John McGiver, Don Rickles (he shows up everywhere), Strother Martin, and Rory Calhoun as a big game hunter hunting Gillian, which should have been gruesome, but instead was pretty funny.

It was that sort of silliness that has most people writing the show off as stupid.  Silly, yes. Unrealistic, of course. Stupid? I wouldn’t say that.

If you pay attention, it’s funny. Not just the slapstick and sight gags, but the dialogue. Okay, none of it is quite as cutting and brash as something you’d see today, but the back and forth is pretty great, particularly if Mr. Howell is involved. There’s some really hilarious, LOL stuff that you wouldn’t expect to find on this wacky island.

Besides, the show is supposed silly. It’s supposed to be a complete deviation from reality, a break from it. Embrace that and enjoy it.

I will say, though, now that I’m watching it as an adult, I’m realizing just how often and how quickly the other castaways take advantage of Gilligan. If this was as realistic as people think it should be, Gilligan would have been the first one killed in the eventual murder rampage that no doubt would have gripped the island. And those that survived would have eventually died of some malnutrition related disease because you can only eat so many coconut cream pies and bananas.

Yeah, so maybe it’s better the show went with silly rather than realistic.

So sit back and relax and enjoy.

Hit the music.

Rerun Junkie Show– The Green Hornet

First there was Batman. Then…there was…The Green Hornet!

This strikes fear into the heart of many a villain.

This strikes fear into the heart of many a villain.

The Green Hornet aka rich owner of the Daily Sentinel newspaper Britt Reid (Van Williams) along with his assistant Kato (Bruce Lee) are vigilantes, but unlike Batman, they’re not friends of the law; the Green Hornet is a wanted criminal (Britt Reid is a totally cool law abiding citizen, though). The only people who know about Britt and Kato’s double lives are Britt’s secretary, Lenore Case (Wende Williams), and District Attorney Frank Scanlon (Walter Brooke). One of Britt’s reporters, Mike Axford (Lloyd Gough), is determined to one day expose the Green Hornet, not realizing that it’s his boss. He’s pretty much the comedy relief.

The narrator should sound familiar. It was William Dozier, the same guy that did it on Batman.

While Batman amped the camp, the Green Hornet toned it down. Instead of a revolving door of comic book villains, the Green Hornet took on slightly more run of the mill bad guys involved in racketeering, arson, murder, theft, that sort of thing. Some jobs bigger than others. The guys pretending to be aliens to steal a nuclear warhead was one of the biggest. They looked like their clothing was supplied by Jiffy Pop. Tin foil awesome.

The Green Hornet didn’t have a utility belt, but that didn’t mean he didn’t have his share of neato gadgets. His favorite was the Hornet Sting, which emitted ultra sonic waves that were good for popping locks or threatening criminals. He mostly used Kato’s martial arts skills, though.

Like most millionaires, Britt Reid had a fancy garage with a rotating floor so he could hide the Hornet’s ride, Black Beauty.

I have no idea how they saw anything at night with those green headlights.

I have no idea how they saw anything at night with those green headlights.

The Black Beauty was equipped with a phone, a TV for surveillance and casual news watching, and rockets for those pesky car chases.

The show was only on for one season, so the guest stars were pretty thin. But if you watch a lot of reruns and pay attention, then you might recognize Lloyd Bochner, Kelly Jean Peters, Diana Hyland, Gary Owens (Laugh-In), Jack Garner (James Garner’s brother), Barbara Babcock (Dallas, Hillstreet Blues), Chuck Hicks (a stuntman that showed up in uncredited roles on Batman, The Rockford Files, and Starsky and Hutch), and Larry D. Mann (Gunsmoke, Hillstreet Blues).

However, they did do some crossover with Batman. In one episode, Dick Grayson was watching an episode of the show. In a later episode, Green Hornet and Kato popped out of a window during one of the Dynamic Duos Batclimbs.

Finally, they couldn’t fight it any longer, and Green Hornet and Kato came to Gotham City in pursuit of a stamp counterfeiter named Colonel Gumm. Law-upholding Batman and Robin didn’t take too kindly to a couple of vigilantes in their town and things got wacky. Britt and Bruce? Yeah, they were rivals, too, vying for the attention of some woman with extravagant taste. Really, they could have done better.

Even the show was short-lived, it still managed to bring a whole lot of kickass to the table while it was around.

Keep fighting the good fight, fellas.

Keep fighting the good fight, fellas.

 

Where I Watch It