Rerun Junkie Show–The Rifleman

Though there was a huge boon of Westerns on TV during the fifties and sixties and therefore plenty of reruns of said Westerns, I am rather ambivalent to most of them, using most of them as background noise on the afternoons I’m not working a day job. However, a couple of them have captured my heart and one of them is The Rifleman.

The Rifleman

The Rifleman features Lucas McCain (Chuck Connors) and his son Mark (Johnny Crawford) building a life in the town of Northfork in the New Mexico territory back before New Mexico was a state and the 20th century was a thing. Lucas’s expertise with a rifle proves to be a valuable asset to Marshall Micah Torrence (Paul Fix) as they both try to keep some law and order in the Wild West.

"C'mon, Micah. We got some lawin' to do."

“C’mon, Micah. We got some lawin’ to do.”

The town had it’s share of familiar faces over the years. Hope Summers, Billy Quinn, Patricia Blair, Joe Higgins, Joan Taylor, and Harlan Warde all played recurring characters during the run of the show. Guest stars included: frequent TV guest stars John Anderson, Richard Anderson, Dabbs Greer (who played a different character in back-to-back episodes; I had to look it up when I first saw it to make sure Me-TV wasn’t airing them in a funny order or it was a season finale/season premier and it wasn’t), Kevin Hagen, William Schallert, Vito Scotti, John Dehner, and John Hoyt; lovely ladies June Allison, Agnes Moorehead (as a really fun character), Grace Lee Whitney, and Patricia Berry; Michael Landon and Dan Blocker before they were on the Ponderosa;  Robert Culp, Martin Landau, and Robert Vaughn before they were spies; James Drury before he was the Virginian; Ellen Corby before she was a grandma;  Frank DeKova before he was a chief of the Hekawi; Adam West before he was Batman; Lee Van Cleef, Royal Dano, Jack Elam, and Denver Pyle (because I think it was a law that they had to be on every Western TV show);  some nobodies like Dennis Hopper, Sammy Davis Jr., James Coburn, Buddy Hackett, and Lon Chaney Jr; and Robert Crawford Jr (Johnny’s brother) and Jeff Connors (Chuck’s son).

(You have no idea how many people I left out. Watch the show to see a whole lot of familiar faces, many of them very young.)

North Fork, like many old west towns in these shows, is a magnet for some real jerks. Bank robbers, kidnappers, gunfighters, murderers, thieves, cattle rustlers, bullies. Naturally, this sort of thing leads to trouble and many times that trouble was solved with Lucas’s rifle. But! That wasn’t the lesson Lucas taught his son. He taught the boy that the rifle was the last resort and it was never something he wanted to use.

This sort of thinking, however, did not apply to anyone messing with Mark. Over the course of the series, Mark got kidnapped or taken hostage, I don’t know, more times than any normal boy is kidnapped/taken hostage during their years between 10 and 15. A few times a season, at least. Anyway, whenever someone threatened/kidnapped/hostaged Lucas’s boy, the shit hit the fan and then Lucas hit the bad guy. Repeatedly. Maybe choked him. Stomped him. Kicked him. Hit him some more.

The backbone of the series really wasn’t Lucas shooting bad guys; it was his relationship with his son Mark. As a widower, he did his best to raise his son right. And he loved his son, that was very clear. He protected him (when he wasn’t getting kidnapped and such) and educated him in the ways of morals and values. For a man that used his gun every episode, he wasn’t keen on his son picking up one of his own too soon. And just as the show didn’t shy away from morals, it didn’t shy away from father-son affection, either. There’s never any doubt that Lucas loves his son and he’s not afraid to show it.

Try getting away with that today. Folks would be hollering “sissy”.

I don’t think it would be smart to take that attitude with the rifleman.

Father and son. They can't be beat.

Father and son. They can’t be beat.

Following the Stars

Ross Martin not being Artemus Gordon.

Ross Martin not being Artemus Gordon.

I like to follow the stars of my reruns. Call it a symptom of my rerun junkie habit. Call it lazy, harmless stalking. Whatever you call it, I do it.

Once I get hooked into a show, I’ll start looking for its stars in other things when I go through the TV schedule for the week. It doesn’t matter what it is, new or old, movie or TV show, I’m just looking for the face.

To me, it’s neat. Here’s someone’s first TV appearance. Here’s their most recent movie. Here’s that same face that you love on this TV show that was made before you were born, the person that plays this character that you adore, doing something totally different.

And I have little to no shame in regards to this TV stalking. If I have taken an interest in you, then I will look for you. And if I see you are going to be on my TV this week, I’ll make a note of it on my phone so I don’t miss it (not kidding; I set an alarm and everything).

Randolph  Mantooth not being Johnny Gage, but doing it with a fantastic mustache.

Randolph Mantooth not being Johnny Gage, but doing it with a fantastic mustache.

Because of this peculiar habit, I’ve seen Johnny Crawford on Little House on the Prairie and Hawaii Five-O; Randolph Mantooth on Charlie’s Angels (with a fabulous mustache) and Criminal Minds; Larry Storch on Love, American Style and Gilligan’s Island; Forrest Tucker on Bionic Woman and Marcus Welby, MD; Ross Martin on The Bold Ones and The Return of the Mod Squad (honestly, my Ross Marin fixation deserves its own post); Kevin Tighe on Law and Order: SVU and Leverage; Kent McCord on Ironside and JAG; and Martin Milner on The Millionaire and The Virginian.

(I don’t think I have to tell you that I’m not listing ALL of them.)

Larry Storch not being  Randolphy Agarn.

Larry Storch not being Randolphy Agarn.

It’s because of this peculiar habit that I realize how many of these people I’ve seen dozens of times BEFORE I found them on my reruns. Do you know how many times I’ve seen Kevin Tighe in Roadhouse and Kent McCord in Airplane II? Well, let’s not discuss it. I’ve seen those flicks an embarrassing number of times. The same goes for anyone that’s been on Murder, She Wrote, because I’ve seen all of those episodes ten times at least. I’ve seen Martin Milner be the hero and Randolph Mantooth get killed sooooo many times.

The point I’m trying to make is that there are so many faces I’ve seen multiple times BEFORE they became significant faces to me. It’s fun to go back and see them again now knowing them.

And you thought I couldn’t have any more fun with my reruns.

Rerun Junkie Show–F Troop

John Wayne couldn’t patrol the entire Old West. Forts were established to help protect those wild areas. None were as funny, though, as F Troop.

...with a bang and a boom...

…with a bang and a boom…

The show revolved around Sgt. Morgan O’Rourke (Forrest Tucker) and Cpl. Randolph Agarn (Larry Storch) working to make their side business profitable while keeping it secret and also keeping their favored Captain Wilton Parmenter (Ken Berry) happy and oblivious, while he tries to keep the enamored Wrangler Jane (Melody Patterson) enamored without being TOO enamored. O’Rourke and Agarn worked with the Hekawi tribe, led by Chief Wild Eagle (Frank DeKova) to sell souvenirs, but also to help keep up certain illusions with Captain Permenter at the fort.

Members of F-Troop included lousy bugler Dobbs (James Hampton), blind sentry Vanderbilt (Joe Brooks), and Alamo veteran Duffy (Bob Steele). Chief Wild Eagle was aided by his son Crazy Cat (Don Diamond), who was more than ready to take over, Smokey Bear (Ben Frommer), and Roaring Chicken (Edward Everett Horton).

Chief Wild Eagle drives a hard bargain.

Chief Wild Eagle drives a hard bargain.

The show featured many of O’Rourke and Agarn’s get-rich quick schemes, including buying a ghost town, trying to get dancing girls for the saloon, trying to rope a wild horse to sell, and just about anything if the Hekawi could be made to agree to it. And since this was a Calvary post, there were always inspections, transfers, training, and other such military-minded things that Captain Parmenter was always prepared for as he always carried his trusty army manual with him.

Folks that stopped by Fort Courage included: James Gregory; Arch Johnson; Mako: funny men Henry Gibson, Don Rickles, Harvey Korman, Paul Lynde, Milton Berle, and George Furth; my forever favorite guest star J. Pat O’Malley; Catwomen Lee Meriwether and Julie Newmar; John Dehner; Zsa Zsa Gabor; Jaques Aubuchon (Boris!); Pooh and Baloo…I mean Sterling Holloway and Phil Harris; cowboys Jack Elam, Victor French (who I didn’t even recognize!), and Don ‘Red’ Barry; Vic Tayback; Jamie Farr (not in a dress but it’s this gig that led him to wear one); Mary Wickes; Jeanette Nolan; Pat Harrington, JR; and two of my favorite people Vincent Price and Joyce Jameson. Ivan Bell, John Mitchum, and Jimmy Horan also had recurring roles as troopers.

Let’s just get this out of the way right here. The show ran for two seasons in the 60’s (’65-’67). Political correctness hadn’t been invented yet. They called the Indians…Indians. In fact, they even use the word “redskin” in the theme song that was used the first season. None of the people playing Indians are Indians. This was commonplace at the time. Don’t let this detract from the show.

This is a show like Gilligan’s Island in the sense that it is quite silly, but it’s incredibly funny and probably wouldn’t have worked without this particular cast. Forrest Tucker and Larry Storch are brilliant together, their delivery and timing spot on. It’s hard to imagine anyone else doing the exact same scenes and having them be as funny. Ken Barry is a bit overshadowed because of this, but his Captain Parmenter is just as much fun and the interactions with Melody Patterson’s Wrangler Jane are both sweet and hilarious. Even though Frank DeKova and Don Diamond are basically playing stereotypes with the speech patterns and stuff, they’re still funny without every joke being about them being Indian. There are a lot of jokes that you can see coming a mile away and yet you still laugh.

I’m telling you, it’s all in the delivery.

I remember first seeing this show when I was a little kid (it was on late at night with Laugh-In, The Monkees, and Get Smart), but I never gave it much of a chance. I should have, though. I’ve missed out.

I was kinda dumb for a kid.

Don't cry, Agarn. I was said it only lasted two seasons, too.

Don’t cry, Agarn. I was sad it only lasted two seasons, too.

The Guest Star Game

Star Cluster

I watch a lot of reruns, as you may know. Most of the time, my TV is tuned to Me-TV for my rerun junkie needs. Because I watch that station so much during the day, it’s not unusual for me to see the same guest star faces several times during the day. Some actors got around A LOT and some were kept very busy by television.

As such, I’ve developed my favorite guest stars, faces I’ve love to see pop up on my shows (but that’s another post). And since I’ve gotten so good at recognizing the faces that other people might not notice, it’s led me down the road to other thinky thoughts.

For example, one weekend I was bored off of my rocker and as I was watching my reruns I suddenly wondered who had been in the most shows that were on the current Me-TV fall line-up. My guess was Virginia Gregg because that woman was in EVERYTHING. It’s not uncommon for me to go a couple of weeks in a row and see her pop up somewhere at least once a day.

Then my thought went a little further. How many guest stars would it take to represent the current Me-TV fall line-up?  What’s the fewest number I could come up with?

And so the game was born.

I started off with the guest stars I thought I saw all of the time: Virginia Gregg, J. Pat O’Malley, Dabbs Greer, Kevin Hagen, Vitto Scotti, and went from there, adding and researching new names as I came across them. It turns out that Vitto Scotti was in more of the shows than Virginia Gregg, but the two of them combined covered most of the line-up. After that it was just filling in the blanks.

So far the game stands at 11 as my lowest. Eleven guest stars cover 65 shows.

Some shows are harder than others to find one of my familiar faces on and oddly, some of the shows were surprising in their difficulty.

But the game continues. I’m sure that if I pay attention and keep researching, I’ll be able to get that number down under ten. I’m just sure of it.

And when the schedule changes in the spring, like I”m sure it will, I’ll start the game all over again to account for the change.

Okay, yes, this is a pretty geeky timewaster, I admit that. It’s taking rerun junkie to a new limit.

I’m an overachiever.

Rerun Junkie Show–Adam-12

When Jack Webb decided to shine a spotlight on the beat cops of LA, he created Adam-12.

"Adam-12 continue patrol and handle this call..."

“Adam-12 continue patrol and handle this call…”

The show featured veteran officer Pete Malloy (Martin Milner) and his novice (and later fellow veteran) partner Jim Reed (Kent McCord) handling the every day street work of two uniformed officers under the direction of their supervisor Sgt. MacDonald (William Boyett) and sometimes with the help of fellow officers Wells (Gary Crosby) and Woods (Fred Stromsoe). They received calls from real-life LA dispatcher Shaaron Claridge (I love it when she denies them a dinner break; her word is law!).

Our brave boys in blue on patrol.

Our brave boys in blue on patrol.

Unlike Dragnet, viewers weren’t treated to one case seen all the way to completion. Instead they got what beat cops got: sent out on several calls during the episode with no follow-up later on. And though there were some high-action, dangerous episodes, there were a lot of episodes that featured the every day, mundane calls that every cop in uniform has handled: traffic stops, domestic disputes over the stupidest things, theft calls in which there was no theft, lonely old ladies needing someone to talk to, nosy ladies constantly ratting on their neighbors.

My favorite was the two ladies fighting over a bruised melon. One wanted the other one arrested for taking it out of the store without paying for it and the other one wanted the owner to get into trouble for selling crap fruit. Malloy had a look of pure “You have GOT to be kidding me” during the whole thing.

You also had the pleasure of watching Malloy and Reed’s relationship develop from student-mentor to true partners. The chemistry between the two was fantastic and the good-natured ribbing is real.  Married Reed could be quite dedicated to convincing bachelor Malloy to join the club sometimes.

They clean up nice, too.

They clean up nice, too.

Like Dragnet before it and Emergency! after it, the show did wonders to boost the public’s understanding of how those jobs paid for by the taxpayers, this one being uniformed officers, worked. It was as much instructional as it was entertaining and I believe episodes are still shown to police officers as examples of how to handle certain situations.

As this was a Jack Webb show, several of his regulars showed up, including: Virginia Gregg (of course!), Burt Mustin, and James McEachin. Marco Lopez, Tim Donnelly, Bobby Troup, Ron Pinkard, and Randolph Mantooth all appeared in episodes as non-Emergency! characters (Kevin Tighe, Julie London, and Robert Fuller made their appearances during the cross-over episode “Lost and Found”). For Emergency! fans, the episode “Log 88-Reason to Run” is a highlight because Randolph Mantooth, Marco Lopez, and Tim Donnelly are all in it, though none of them share a scene. Fun!

Other familiar faces that popped up during the seven season run include: Larry Linville; Maidie Norman; my favorite guest-star J. Pat O’Malley; Frank Sinatra Jr; June Lockhart; Rose Marie; Jean Allison; Butch Patrick; Ellen Corby (before she was Grandma Walton); Keye Luke; future teen idols Willie Aames, David Cassidy, and Barry Williams; baby versions of Ed Begley Jr, Tim Matheson, and A Martinez; Karen Black; Cloris Leachman as a real crap mother; Tony Dow; Angela Cartwright; Barbara Hale; Robert Conrad sans Ross Martin (unless he was in disguise somewhere); George Murdock;

*takes a deep breath*

Micky Dolenz not Monkee-ing around; Harry Dean Stanton (who never looked young); Lindsay Wagner before she was Bionic; Sharon Gless; Scatman Crothers; Vitto Scotti because he was in everything; Dabbs Greer; Dick Clark; Brucke Kirby; Jo Anne Worley playing another roller derby girl; Mark Harmon; Mark Harmon’s sister Kristin Nelson; and Kent McCord’s daughter Kristen.

It was a good guest-breeding ground.

This is one of those shows that I only had the opportunity to start watching recently. And I’m grateful for that. I’ve developed quite the soft spot for Jack Webb and company shows anyway, but as a cop’s kid, this is one I can really relate to.

It also gave me the greatest intoxication measure ever.

Matador-in-an-intersection-drunk.

‘Cause that’s drunk.

These guys, though, they're drunk on justice.

These guys, though, they’re drunk on justice.

Rerun Junkie Show–Gilligan’s Island

Just sit right back and you’ll hear a tale…about a show that ran for three years in the 60’s and then lived forever in syndication.

For the five people with Internet access that have never heard of this show, here’s the rundown.

The theme song pretty much fills you in on the back story.

The theme song pretty much fills you in on the back story.

The Skipper (Alan Hale, Jr.) and his first mate Gilligan (Bob Denver) along with their five passengers, the Professor (Russell Johnson), farm girl Mary Ann, (Dawn Wells), movie star Ginger (Tina Louise), and the millionaire Howells, Thurston (Jim Backus) and Lovey (Natalie Schafer), were on a three hour tour of the Hawaiian Islands when they were blown way off course by a sudden storm and ended up stranded on a deserted island where hilarity ensued.

Our seven castaways.

Our seven castaways.

The show wasn’t exactly heavy on realism. For a group of people on a day trip, they ended up taking a whole lot of clothing with them (though there must not have been any room for the Skipper, Professor, or Gilligan to bring their wardrobes). The Professor could make anything from coconuts, bamboo, and palm leaves, but a boat. Everyone else in the world could arrive and leave the island as they pleased, but the castaways were perpetually stuck. Speaking of, anything in the world washed up on the shore or dropped down from the sky -mines, lions, space capsules, robots- but not a damn message could off of the place.

A few of the people that washed up on the shores, and then later left, included: Vito Scottie (four times!), Zsa Zsa Gabor, a 14 year old Kurt Russell in a loin cloth swinging from trees, Mel Blanc (voice only, of course), Hans Conreid aka Wrongway Feldman, Denny Miller, Larry Storch, Harold J. Stone, Nehemiah Persoff (taking a break from drama, I guess), Vincent Beck, Richard Kiel, Phil Silvers, John McGiver, Don Rickles (he shows up everywhere), Strother Martin, and Rory Calhoun as a big game hunter hunting Gillian, which should have been gruesome, but instead was pretty funny.

It was that sort of silliness that has most people writing the show off as stupid.  Silly, yes. Unrealistic, of course. Stupid? I wouldn’t say that.

If you pay attention, it’s funny. Not just the slapstick and sight gags, but the dialogue. Okay, none of it is quite as cutting and brash as something you’d see today, but the back and forth is pretty great, particularly if Mr. Howell is involved. There’s some really hilarious, LOL stuff that you wouldn’t expect to find on this wacky island.

Besides, the show is supposed silly. It’s supposed to be a complete deviation from reality, a break from it. Embrace that and enjoy it.

I will say, though, now that I’m watching it as an adult, I’m realizing just how often and how quickly the other castaways take advantage of Gilligan. If this was as realistic as people think it should be, Gilligan would have been the first one killed in the eventual murder rampage that no doubt would have gripped the island. And those that survived would have eventually died of some malnutrition related disease because you can only eat so many coconut cream pies and bananas.

Yeah, so maybe it’s better the show went with silly rather than realistic.

So sit back and relax and enjoy.

Hit the music.

Rerun Junkie Characters–Stefan Kopeckne

Mr. KopeckneA good character makes a lasting impression.  Like Big Chicken on Hawaii Five-0, Stefan Kopeckne (the other character that lead so many people to my blog) was only on two episodes of Barney Miller, but that was enough to make him memorable.

Kenneth Tigar was actually in five episodes of the show from 1976 to 1981, but it was his first and last appearances that he played the unfortunate Mr. Kopeckne.

His first appearance in the episode “Werewolf” was the more memorable of the two. Mr. Kopeckne, brought into the station after causing a commotion in a park (and ruining Detective Harris’s [Ron Glass] suit in the process).  Upon questioning, it’s revealed that Mr. Kopeckne believes he’s a werewolf, cursed from birth.  He’s put in the cage to fret about his impending transformation which will come at midnight while the police officers just wait for Bellevue to pick him up, not really taking his claims that seriously.

It’s the transformation scene that really makes the whole episode and makes Mr. Kopeckne someone to remember.  He claims he can feel the hair on his legs rustling and he starts panting because his tongue is sweating, all the while Nick (Jack Soo) is trying to talk him out of it. Mr. Kopeckne climbs the bars and starts to howl when Barney (Hal Linden) comes in and yells at him, saying this is a police station, not a horror movie.

Kopeckne the werewolfIn the end, Mr. Kopeckne goes off to Bellevue with some hope as Barney has pointed out that the lack of lycanthropy must mean they’ve made some progress with it.

Mr. Kopeckne returns in “Possession”. This time his arrested for disorderly conduct and claims that it’s because he’s possessed.  Sure enough, questionable things start happening in the precinct and Mr. Kopeckne demands that the police chaplain give him an exorcism. Not quite as good as “Werewolf”, but Mr. Tigar goes the distance with it, for sure.

Really, all of the credit in the world goes to Mr. Tigar. He’s one of those actors that you’ve seen before, probably multiple times, but probably don’t know his name. The kind of guy who is so good at his craft that you remember the character over the actor behind it. He took a character that could have been absolutely ridiculous and unbelievable and gave it enough realistic gravity to make it believable and let the comedy play.  It was easy to believe that this guy had a screw loose enough to think he was a werewolf, but could still function for the most part. He created a character that could have easily recurred once or twice a season without getting overdone or boring.

It’s kind of a shame they didn’t.

I’d have loved to see what else Mr. Kopeckne, and Mr. Tigar, could have come up with.

Rerun Junkie Books–Mary and Lou and Rhoda and Ted by Jennifer Keishin Armstrong

Mary and Lou and Rhoda and Ted by Jennifer Keishin ArmstrongMy chronic rerun habit paid off in a big way when I won a Me-TV contest. The prize was Jennifer Keishin Armstrong’s book, Mary and Lou and Rhoda and Ted: And All the Brilliant Minds Who Made The Mary Tyler Moore Show a Classic. I didn’t check the winner’s list so I was completely unaware that I’d won until a package from the publisher showed up. My confusion (“I didn’t order a book from these people”) gave way to pure joy as soon as I saw what book was in the package (“HOLY CROW I WON I WON I WON!”)

And indeed, I was the winner.

I’m one of those people that’s fascinated with behind-the-scenes stuff about TV shows, any sorts of TV trivia, even if I don’t watch or like the show (I’m the same way with movie trivia, which is more absurd given that I don’t really watch many movies). It’s not necessarily the dirt I’m into. Who’s sleeping with who, who’s fighting with who doesn’t intrigue me quite as much as how something was made.

This book is that and more.

Not only does it give you insight into the show itself, but it goes above and beyond in recognizing that the show didn’t occur in a vacuum and the people involved didn’t pop into existence just for the purpose of the show. While the show is the main focus, of course, it also talks about the TV landscape at the time, some of the other shows on the air, the spin-offs, and a bit about the state of the country in relation to the show, how the show impacted the country and the country impacted the show.

It also goes beyond just the actors, those lovely faces we see and associate more readily with the show. It profiles the creators and their mission to make a realistic sitcom featuring a working, single woman and their dedication to their vision. It also shows how they broke the rules by looking for and hiring women writers in a time when women weren’t thought of as funny. And, naturally, talks about the women who wrote for the show.  There’s even a bit about one of the show’s most dedicated fans.

The show broke more ground than a lot of people might realize.

It was actually a really inspiring read, in a way. The idea of working in this environment of a people that were dedicated to making this the best show that they could, who wouldn’t compromise or settle for less. It wasn’t all hearts and flowers, but it was special and it makes me wish I could be apart of something just like that.

This is also the kind of book I wish I could write about my TV show loves. Jennifer Keishin Armstrong’s narrative isn’t some dry account, by the numbers and letters of what happened. She allows the people she’s writing about to be the real people they are and brings out the emotions of the time. I cringed while reading about the first rehearsal that went so badly and I teared up during the recounting of the final episode. Every bit of it is readable, approachable, and educational without feeling like you’re being lectured to or otherwise schooled.

Now it’s time for my disclosure. The Mary Tyler Moore Show is one of those shows that half-ass watch, which means most of the time I’m not paying a whole lot of attention to it unless Rhoda or Murray are talking (they are my favorites and I have no shame about this). However, I KNOW it’s a good show and I’ve caught myself, over time, watching more of the episodes rather than just putting them on for background noise.

But this book has made me appreciate the show on a whole new level.

I’m going to be paying more attention now.

Rerun Junkie Confession–Gilligan Was My First

That’s right. Gilligan’s Island was my first rerun love. (What did you think I was talking about, you perverts?)

It was on TBS when I was a kid and I remember watching it every afternoon. It didn’t bother me that the castaways had an endless supply of clothes or The Professor couldn’t fix a boat or they could fashion anything and everything (except a boat) out of coconuts or that nobody lost weight or died of scurvy or how those other people came and went and the castaways were always stuck. I was only concerned with the fact that Gilligan was silly and did silly things and Mary Ann should have been his girlfriend and the Skipper should have had some more patience.

Jinjer MaryannI was so taken with the show that I named one of my dolls Ginger Mary Ann. Except I spelled it Jinjer Maryann because five year olds are crap at spelling. Also the doll was probably supposed to be a boy, but it had red hair like Ginger and it had a sweet face like Mary Ann so I decided it was a short-haired girl.

Anyway, it was the only doll I ever named after characters on a TV show, therefore, it’s noteworthy.

I can remember daydreaming about being on that island with the castaways. I would have helped Gilligan and wouldn’t have made him feel like such a screw-up, even though everything he touched pretty much exploded in his face. Even at five, I felt very protective towards Gilligan.

I related to him because he was like a kid. He tried his best, but he messed up a lot. He was goofy and playful and seemed like the most fun. It’s not that I didn’t like the other characters; I did! I could have made my doll a boy and named him Gilligan, but I didn’t (she looks nothing like a Gilligan anyway); I named her after two of the girls. I was fond of all the castaways.

And I still am.

Little did I know that this show would set me off on my course. Like the Minnow’s two-man crew and its five passengers, my young self set sail in a sea of entertainment and like the inexplicable pull of that uncharted island, I’ve repeatedly found myself washing onto the shores of reruns, particularly when my life’s been stormy. I realize now that the shows I’ve liked best are the shows that remind of that fantasy world comfort I first experienced with Gilligan’s Island. No, the shows I love aren’t all silly, but there’s something about them that involves me yet puts me at ease the way the antics of the castaways did.

Only for me would naming a doll after a character establish the gold-standard of a television show.

Rerun Junkie Confession–I’m a Sucker for Reunions

Mary Tyler Moore Hot in ClevelandI don’t watch Hot in Cleveland by habit. I’ve only seen a couple of episodes, mostly because there was some special draw, like the live episode (which was quite funny and well done for a live show). One episode that I made sure I watched, though, was the one featuring the Mary Tyler Moore reunion.

I’m a sucker for things like that.

Of course, plain old reunion shows are great (you know, like the Gilligan’s Island and Love Boat TV movies), but there’s something really nifty about getting actors from an old show together and having them play new characters. There’s the wink-wink, nudge-nudge they always seem to work into the episode, of course, but mostly there’s this fun of watching people with a history, with a chemistry, with a rhythm working together, but playing something different.

Like the Mary Tyler Moore reunion. They played a bowling team getting together after years apart, fame having undone their friendship. So there’s Mary and Rhoda and Georgette and Sue Ann and Phyllis sitting around a table, except they weren’t those characters. It was the same chemistry but presented in a different way.

Cagney Lacey Burn NoticeSharon Gless and Tyne Daly did it on Burn Notice. Cagney and Lacey together again only as Madeline and Tina, strangers not partners. So even thought Madeline is befriending Tina for a short-term purpose, that chemistry that made Cagney and Lacey such a great duo is still there.

I find that kind of thing fun to watch. It’s taking people who are comfortable with each other and putting them in a different element.

I look for those kinds of reunions. I don’t catch them all, of course, but I’m always thrilled when they happen. I guess it’s just the warm fuzzies it gives me. Here are the actors that created some iconic characters back together in a different, but yet familiar way.

It sucks me in every time.

You want me to watch current TV more often? This is definitely the way to do it. I’d clear my schedule for the right reunion.

I’m that kind of sucker.