Rerun Junkie Writer–Jerome Coopersmith

I’ve written quite a few posts in my Rerun Junkie Guest Star series, so I’m obviously long overdue to begin a series about the Rerun Junkie Writers. After all, without the writers, those guest stars that I love and adore have nothing to say.

It’s a shame that I was motivated to finally begin the series due to the recent passing of one of those writers.

Jerome Coopersmith only has 36 writing credits on IMDB, but most of them are for TV shows. He’s got a creator credit as well as writing credits (he wrote every episode) for the short-lived 1977 series The Andros Targets. He wrote 20 episodes of Armstrong Circle Theater and 18 episodes of Johnny Jupiter. I had to look that latter up. It’s a show about a general store clerk who invents an inter-planetary TV and befriends a puppet named Johnny Jupiter. This could be a kids’ show. Or it could just be 1950’s TV on the Dupont network.

He wrote for other anthology shows like Kraft Theatre and The Alcoa Hour; early crime-fighting series like Brenner and Harbormaster; and later popular shows like Combat!, Doctors and Nurses, and Medical Center. I’m sure I’ve seen his episodes of The Streets of San Francisco, Spenser: For Hire, and A Man Called Hawk.

But most of the TV episodes he wrote -and the work I’m most familiar with- was Hawaii Five-O.

Of the 32 episodes he wrote for the show, 3 of them I picked to be my favorites of their season. Considering there’s 12 seasons and a quite a few writers, it’s pretty impressive that he wrote a quarter of my favorites.

But he also wrote several of my runners up and other memorable ones.

He’s responsible for the excellent episode “Samurai” (but I doubt he’s responsible for Ricardo Montalban’s yellow face); put McGarrett’s life in jeopardy twice in the same season with “A Bullet for McGarrett” and “Blind Tiger”; came up with some brilliant and fun plots in “Didn’t We Meet at a Murder?”, “Death is a Company Policy”, and “Welcome to Our Branch Office”; did a little PSA-ing with “Chain of Events” and “Diary of a Gun”; and revisited a character from the second season episode “Just Lucky, I Guess” in the eighth season episode “McGarrett is Missing”.

And these are just a few of the terrific episodes he wrote for the show. The man never had a dud, at least as far as I’m concerned.

For some reason, he sometimes wrote under different names (Edit: Mr. Coopersmith’s daughter graciously provided the answer in the comments of this post). He has several TV episodes, including multiple episodes of Hawaii Five-O, credited as Jay Roberts and several TV movies credited as Ken August.

As if his resume wasn’t impressive enough, he also wrote plays and musicals that ended up on Broadway, and even earned a Tony nomination for his Sherlock Holmes musical Baker Street.

But no matter the name, the stage, or the screen, the result Jerome Coopersmith produced when he put pen to paper was always the same.

Fantastic viewing.

Thanks to Chris for linking me to Jerome Coopersmith’s obituary article.

Book ’em, Danno–Episode 51

Book 'em Danno Podcast

Season 4 comes to a close with “R&R&R”. A killer is murdering the wives of soldiers who are meeting them in Hawai’i for R&R. It’s a tricky case of vengeance that Five-O must unravel.

I also do my usual inadequate season wrap-up. I think in all of my ramblings about my tallies and such I forgot to mention that Season 4 is a strong season. There’s a nice variety of cases, the two-parter was bonkers in a very good way, the return of Lewis Avery Filer was fabulous, and there was a balanced mix of fun and serious. Did not disappoint.

You can listen to me not say any of that on Soundcloud, iTunes, Spotify, and Stitcher.

As always, there will be a hiatus in August, but I will be back in September with Season 5.

Until then, please enjoy Steve doing a Superman-change on a plane.

undercover airplane steve

The Book ’em, Danno Tier

If you’ve ever listened to the Book ’em, Danno podcast, then you know I occasionally push my Patreon. At present it has four different tiers -$1 general support; $2 writing; $3 audio; and a $5 tier that will be undergoing a change starting August 1st.

That’s when it will become the Book ’em, Danno tier.

For $5 a month, subscribers will get early access to Book ’em, Danno episodes (1 to 2 weeks in advance, schedule depending) starting in Season 5 (September 2023) as well as bonus content in the form of either early access to minisodes or tier exclusive content. Subscribers will also get access to the main content of the other tiers.

Why am I doing this?

The previous $5 tier project -Five Minutes- came to a conclusion. Frankly, it didn’t work out and that’s okay. I needed a new project. And since I’m doing Book ’em, Danno anyway…

The thing is that I finally feel good enough about my podcasting process to be able to offer this. I’ve got a decent production rhythm down that allows me to get the episodes done ahead of time so it won’t be any added effort to do them for Patreon.

There’s no obligation to become a patron, of course. The episodes will still be available for free at the end of every month. You might miss out on some of the bonus content if it’s tier exclusive, but the main podcast that you’ve been listening to for the last four seasons will continue on as normal. I just want to make sure that as many listeners as possible are aware of this change in case it might be something that they’re interested in.

So, if you are one of those who might be interested, head on over to my Patreon and become a patron!

Until next time…

Aloha.

Have You Watched…?

I’ve not watched all the reruns in the world, but it’s still a fair question to ask someone who proclaims themselves to be a rerun junkie if they’ve watched a certain rerun.

Frequently, my answer is yes, but not for a long time or I watched it back in the day, but haven’t watched it since, or I’ve seen a few episodes years ago. I consumed an unlikely amount of reruns as a child and many of them, I haven’t seen since. I don’t think I’ve watched a full episode of Bewitched or I Dream of Jeannie in years, maybe not since grade school, but I know I’ve seen the entire run of both series while getting ready for school in the morning in the long, long ago of the ’80s.

I probably haven’t watched Airwolf since it first aired, but that was can’t miss TV for me back in the day. With the exception of a few episodes, I probably haven’t watched TJ Hooker or MacGyver since junior high. But I know I’ve seen almost every (if not every) episode of those shows, too.

So when I say I’ve seen something, I probably have. But it’s more than likely that it’s been so long that I don’t remember specifics about episodes.

Of course, there are series that I’ve heard of, but have never seen for one reason or another. The Adventures of Ozzie and Harriet come to mind. Sure it was one of those black and white reruns that tended to get early morning play around here, but I never watched an episode of it. Never really had the interest. Not every show that I have knowledge of and access to is going to be something I want to devote my time to watching, even for a rerun junkie like me. And that’s okay! It has nothing to do with the quality of the show. It’s just personal preference. You don’t have to watch everything to be a rerun aficionado.

Because there are shows that we know about, but don’t have access to.

And there are shows that we don’t know about yet.

It was only in the last few years that two of the shows I talked about on Eventually Supertrain came into my awareness –Automan and Tales of the Gold Monkey. I enjoyed both series and never would have known about either of them if it weren’t for a little happenstance -being a fan of David Hewlett since Stargate: Atlantis and learning through following him on Twitter that he’d starred in an Automan parody short called Hewlogram, and being absurdly smitten with Jeff MacKay and seeking out shows he’s been in for my viewing pleasure.

Speaking of Eventually Supertrain, how many short-lived shows that I’ve never heard of has Dan introduced me to and put on my watch list? The Immortal, Lucan, Shadowchasers, Cliffhangers…he’s doing the TV Lord’s work putting these sorts of shows on people’s radar.

So many shows I’ve never heard of came into my awareness through Book ’em, Danno guest star research. I don’t think I ever would have known of David Cassidy -Man Undercover otherwise. It became a Holy Grail Show for me, one of those shows that I just had to see, but there didn’t seem to be a way to view it. I lucked out big time when it was made available on Crackle.

My other Holy Grail Show is Trauma Center, which was the fourth Glen A. Larson show released in 1983 (the other three being Manimal, Masquerade, and Automan, all of which have been covered on Eventually Supertrain). It doesn’t seem to be available anywhere, but one day, I will find it. And I will watch it. And it will be glorious.

There’s no telling how many shows there are that I haven’t discovered yet. And my list of shows to watch is growing. But I have seen quite a few now.

So go ahead. Ask me if I’ve watched a show.

We might all discover something.

Book ’em, Danno–Episode 50

Season 4 is fast coming to a close. But we’re riding high all the way out.

In “Didn’t We Meet at a Murder?”, an unusual trio comes together to assassinate a mob boss from Chicago. Five-O has their hands full with this clever plot.

And then Five-O goes gloriously undercover to bust a heroin ring in “Follow the White Brick Road”. So many beautiful aloha shirts and we all know that undercover aloha shirts are my favorite things.

Listen on Soundcloud, iTunes, Spotify, and Stitcher.

For your enjoyment, Steve and Danny playing sailor and a magnificent selection of the undercover aloha shirts. Not pictured: Steve’s fabulous white pants and Kono’s shirt because I couldn’t get a good shot of it. Yes, this pains me, too.

 

Book ’em, Danno–Episode 49

Book 'em Danno Podcast

Season 4 is almost over, but couldn’t end before I talked with Dan about my favorite episode. Between “Cloth of Gold” and “Goodnight, Baby- Time to Die!” we’ve got a whole lotta comeuppance happening.

Just a couple of heads up. Minor trigger warning for watching “Cloth of Gold” as it has mentions of sexual assault. This happens in spoiler territory, so I don’t discuss it. But just be warned if you’re watching the episode. Which you should.

Speaking of spoilers, Dan Budnik of Eventually Supertrain joins me to talk about my favorite episode of Season 4, “Goodnight, Baby-Time to Die!” and that means were talking spoilers. So, if you don’t want to be spoiled, avoid listening to us from about 1:02:18 to about 1:19:49. Also, both Dan and I strongly suggest that you watch this episode before listening to us anyway because it’s kind of hard to talk about without talking spoilers and really, it’s my favorite episode of the season for a reason.

Listen on Soundcloud, iTunes, Spotify, and Stitcher.

I also want to mention that when it comes to chatting with Dan, I don’t usually edit us too much, but this time I had to cut a lot of spoiler talk out because it came outside of the spoiler warning. I’m going to have to make a special spoiler minisode. Our brilliance deserves to be heard.

Look at Ray Danton. He’s shocked to death that I did that.

akamai death face

No worries, though. Steve’s on it.

steve mod phone

Summer Slow Down

You may have noticed in May that my post-a-week didn’t happen. Or you may not have. You may have just been thanking whatever deity you believe in for the reprieve.

The lack of posting was due to a combination of deadlines and health issues. Though the deadlines have been met, new ones have arisen and the health issues linger. As a result, priorities have shifted and blogging weekly can no longer be high on the list.

This does not mean I’m giving up blogging entirely. You couldn’t get so lucky. However, the weekly schedule is on hold. The new goal is at least one or two posts a month.

This new schedule will continue for the summer.

Hopefully by fall I’ll be back to blogging weekly again.

Until then…enjoy the slow down.

Book ’em, Danno–Episode 48

Book 'em Danno Podcast

Season 4 is winding down. First, Five-O attempts to put away a man who attacked a woman in “Skinhead”. Major Trigger Warning! This case is a sexual assault and though we don’t see it, the implication is upsetting enough, as is the treatment of the victim by the justice system after the fact. If you’re going to watch/listen, prepare yourself accordingly.

No prep necessary for “While You’re at It, Bring in the Moon”. Is wealthy recluse being framed for murder by his friends and associates, or is he banking on his bucks to get him out of trouble? This is a fun one, folks.

Listen on Soundcloud, iTunes, Spotify, and Stitcher.

When it comes to fake blood, ’70s TV is unmatched. Please enjoy this cherry slurpee crime scene.

cherry slurpee crime scene

The Laws of (TV Gunshot) Physics

Television takes liberties with reality for the purpose of storytelling. It requires a certain amount of suspension of disbelief. As a result, it ends up creating its own set of rules. My favorite set of these TV laws relates to being shot.

The real-life physics of gunshot wounds is too wild to properly translate to television. First of all, dying instantly isn’t something people do under most circumstances, let alone gunshots. We simply don’t have time for the necessary lingering unless there’s a confession or plot point to convey. Second of all, millimeters and luck play into the survival rate in such a way that people would likely struggle to find it believable if they saw it on their favorite procedural.

However, what does translate to screen is somehow easier for viewers to swallow. In addition to the prevalence of instant deaths, there’s also the understood notion that getting shot blows you off of your feet depending on the weapon used. I think it’s generally known that this doesn’t happen (more fascinating is the range of physical reactions gunshots survivors describe), but it’s something we as an audience have come to expect, especially when it’s the bad guy getting blown away. We prefer that dramatic liberty.

When it comes to the survivability of a gunshot, it’s guaranteed that our good guys will survive any wound inflicted unless they’re leaving the show. Bad guys, unless they’re a recurring threat, are probably dying instantly no matter where they’re hit. Westerns are my favorite example of this. Bad guys do not survive gut shots; good guys do. In reality, surviving a gunshot wound to the abdomen is a toss-up. There’s a lot of organs, arteries, and blood vessels packed in there. If you don’t bleed to death because the bullet nicked an artery or hit an organ, you just might die of sepsis, peritonitis, or some other kind of infection due to a perforated bowel. And then of course, the bullet might miss everything vital and you’ll be just fine.

Speaking of our good guys surviving their gunshot wounds, they rarely suffer any negative aftereffects unless the plot calls for it. So often they’re shot in one episode and then right back to work the next episode with nary a mention. When it comes to older reruns, this is more a matter of treating each episode as its own thing rather than adhering to any serious continuity. Look no further than our Five-O heroes for an example of this. In one episode, Steve McGarrett is shot three times and left for dead. In the next, he’s back to work and well-enough to be stabbed.

Or perhaps we can consider the interesting gunshot wound continuity of Eric Delko on CSI: Miami. He was shot twice at the end of the first part of a two-parter in the fifth season. During a firefight in a parking lot, he was shot once in the right thigh. Horatio Caine dragged him behind a car where Delko was then shot in the back of the head by a different, unseen shooter. During the second part, Delko fought for his life, rallied, and lived. However, they couldn’t get all of the bullet fragment out of his head and Delko did suffer aftereffects from this head wound. He lost memories from around the time of the shooting, had some confusion issues regarding aspects of his job, and had transitory hallucinations. In the eighth season, the fragment jarred lose during a shooting/car chase/car crash and he ended up on the operating table yet again to have it finally removed. He recovered from that without any issues. So, that one incident had long-lasting implications.

However, the gunshot wound in his leg was literally only addressed once…when he was initially shot. It was never mentioned again: not when Delko was in surgery, not when he returned to work a few weeks after getting shot, nada. It was as though it never happened. Setting aside the fact that it was dubious at best he’d be returning to work so soon after being shot in the head, Delko definitely would have been limping if he had. He’d probably know every time it was going to rain for the rest of his life, too.

Many of our law enforcement leads could find themselves in a similar situation, especially if they’ve been shot in the shoulder, which is a favorite target of the writers and bad guys it seems. Shoulder wounds are notoriously nasty as there’s a lot that can go wrong in that region and not much room for it not to. There’s the subclavian artery, which could easily have someone bleeding out in minutes, not to mention all of the muscles, tendons, and bones in that area that work together to move the arm. Starsky got shot in the shoulder on the first season of Starsky and Hutch, nearly died, was back to work in the next episode without a bandage, and never had a problem using his arm to enforce the law for the rest of the series. Heroes don’t get arthritis from traumatic injuries.

Rumor has it that the best place to get shot (aside from nowhere) is in the backside. The abundance of fatty tissue is ready-made for high-impact projectiles (good luck if you have a flat ass, I suppose), but rarely do shows, cop shows in particular, have one of their mains take one for the team in this fashion. I guess there’s something less dramatic about spending the week on their stomach than taking one in the gut or the shoulder and still managing to chase down and arrest/kill the bad guy. Or maybe spending most of the episode in a coma while their besties get justice for them for maximum viewer angst.

No matter where they get shot, we all know they’ll be back and better than ever in the next episode anyway.

Book ’em, Danno–Episode 47

Book 'em Danno Podcast

It’s finally time for Season 4’s two-parter and it’s a doozy! When “The Ninety Second War” starts off with a car wreck, you do not anticipate that it would end with a missile launch. The extensive frame job that dominates the first episode is exquisite, complete with doppelganger and trip to Switzerland. Who’s behind it all? Wo Fat, of course. And the second episode is all about figuring out what he wants with ninety seconds.

It’s a fun ride.

Listen on Soundcloud, iTunes, Spotify, and Stitcher.

I mention that Donald Pleasence has a moment of looking unhinged. Of course, my words cannot do it justice.

donald pleasance unhinged

Also, here’s a picture of Wo Fat talking to Vogler in front of his kicky little sub. Just because.

wo fat sub meeting