Have You Watched…?

I’ve not watched all the reruns in the world, but it’s still a fair question to ask someone who proclaims themselves to be a rerun junkie if they’ve watched a certain rerun.

Frequently, my answer is yes, but not for a long time or I watched it back in the day, but haven’t watched it since, or I’ve seen a few episodes years ago. I consumed an unlikely amount of reruns as a child and many of them, I haven’t seen since. I don’t think I’ve watched a full episode of Bewitched or I Dream of Jeannie in years, maybe not since grade school, but I know I’ve seen the entire run of both series while getting ready for school in the morning in the long, long ago of the ’80s.

I probably haven’t watched Airwolf since it first aired, but that was can’t miss TV for me back in the day. With the exception of a few episodes, I probably haven’t watched TJ Hooker or MacGyver since junior high. But I know I’ve seen almost every (if not every) episode of those shows, too.

So when I say I’ve seen something, I probably have. But it’s more than likely that it’s been so long that I don’t remember specifics about episodes.

Of course, there are series that I’ve heard of, but have never seen for one reason or another. The Adventures of Ozzie and Harriet come to mind. Sure it was one of those black and white reruns that tended to get early morning play around here, but I never watched an episode of it. Never really had the interest. Not every show that I have knowledge of and access to is going to be something I want to devote my time to watching, even for a rerun junkie like me. And that’s okay! It has nothing to do with the quality of the show. It’s just personal preference. You don’t have to watch everything to be a rerun aficionado.

Because there are shows that we know about, but don’t have access to.

And there are shows that we don’t know about yet.

It was only in the last few years that two of the shows I talked about on Eventually Supertrain came into my awareness –Automan and Tales of the Gold Monkey. I enjoyed both series and never would have known about either of them if it weren’t for a little happenstance -being a fan of David Hewlett since Stargate: Atlantis and learning through following him on Twitter that he’d starred in an Automan parody short called Hewlogram, and being absurdly smitten with Jeff MacKay and seeking out shows he’s been in for my viewing pleasure.

Speaking of Eventually Supertrain, how many short-lived shows that I’ve never heard of has Dan introduced me to and put on my watch list? The Immortal, Lucan, Shadowchasers, Cliffhangers…he’s doing the TV Lord’s work putting these sorts of shows on people’s radar.

So many shows I’ve never heard of came into my awareness through Book ’em, Danno guest star research. I don’t think I ever would have known of David Cassidy -Man Undercover otherwise. It became a Holy Grail Show for me, one of those shows that I just had to see, but there didn’t seem to be a way to view it. I lucked out big time when it was made available on Crackle.

My other Holy Grail Show is Trauma Center, which was the fourth Glen A. Larson show released in 1983 (the other three being Manimal, Masquerade, and Automan, all of which have been covered on Eventually Supertrain). It doesn’t seem to be available anywhere, but one day, I will find it. And I will watch it. And it will be glorious.

There’s no telling how many shows there are that I haven’t discovered yet. And my list of shows to watch is growing. But I have seen quite a few now.

So go ahead. Ask me if I’ve watched a show.

We might all discover something.

Heteronormativity Is a Helluva Drug

I didn’t expect to like the reboot of Magnum PI. I only gave the pilot a shot because I’d been watching the 1980 series and decided to compare and contrast. I already knew that Magnum was now Latino and Higgins was now a woman. I went into it thinking it’d be fine, but not for me, like most reboots.

The pilot was a fun ride. I gave it the three episode test (pilot establishes the show; second ep is the adjustments; third ep is the vibe) and ended up hooked.

My one hope for the show was that they wouldn’t default to hooking up Magnum and Higgins.

Well, it was good while it lasted and it lasted until early in the 2nd season. Once it became clear that the endgame is Magnum and Higgins are omg-meant-to-be (and that it’s apparently going to be played out in poorly executed fanfic tropes), it then became a countdown until I got fed up and quit watching. That lasted until half-way through the 4th season. I haven’t given up entirely but I am absolutely half-assing it and I don’t care about the show like I once did.

It’s a shame, but thems the breaks.

And there’s plenty of history behind the continuation of the heteronormative narrative that defaults opposite sex leads or lead/supporting into a romantic tension leading to a relationship.

Obviously, the most known example of this is Dave and Maddie on Moonlighting, a show that so depended on the will-they-or-won’t-they, that when they did, it pretty much cancelled the show (to be fair there were other behind-the-scenes issues that contributed to the show’s demise, too). Also, Agnes and Herb had the much better relationship.

Scarecrow and Mrs. King and Remington Steele drew from the same playbook. On Barney Miller, it played out over five episodes between Wojo and Wentworth before Linda Lavin left to be Alice.

In the case of shows like Tales of the Gold Monkey, it’s less of a will-they-or-won’t-they and more of a when-will-he-commit. Because there’s obviously something going on between Jake and Sarah (hell, they kiss in the pilot), but it’s a situationship that allows Jake to kiss other ladies depending on the plot. There’s a similar sort of set-up happening with Walter and Roxanne on Automan. Are they dating? Kinda, maybe, it depends.

Emergency! actually began with Dr. Kelly Brackett and Nurse Dixie McCall in a romantic relationship, which was dropped in later episodes without explanation (read: break-up). From that point on, Brackett and Dixie were friends and colleagues, caring for and respecting each other in both professional and platonic ways, showing that, hey, it could be done.

I’m not saying that it wasn’t. There were series that didn’t necessarily default to the romantic relationship. Della Street didn’t get involved with Perry Mason or Paul Drake (though Paul did nickname Della “Beautiful” and there was some joking that might be considered flirting). Likewise Britt Reid clearly cared about Miss Case and vice-versa, but there was nothing but boss-secretary friendship happening with The Green Hornet. Clearly, it could be done.

But there’s no denying that it could be a struggle. For most of Hunter‘s seven season run, Rick Hunter and Dee Dee McCall were partners and friends, a caring and satisfying platonic relationship that Fred Dryer and Stepfanie Kramer were happy with. But as the story goes, the network and the fans wanted more. As a result, a Season 6 episode informed the audience that Hunter and McCall had once slept together, but it caused an issue with their work relationship.

It’s the default aspect of the hetereonormative narrative, the well-worn path of it, the perpetuation of the idea that the only chemistry that exists between opposite sexes is sexual and the only important relationships are romantic that really grates. Worse, it’s dull. And it’s dull because it’s expected. No other options are presented or considered.

Magnum PI had an opportunity to explore something beyond the default, to establish a couple of opposite sex platonic soulmates without some sort of caveat or exemption (like one or both of them being queer), to really dig into that kind of relationship and do something different.

Instead, it fell for the same quick and easy high that’s been dulling senses for decades.

It really is a helluva drug.

Rerun Junkie Confession–I Love to See My Faves in Peril

One of my favorite episodes of The A-Team is the Season 2 finale “Curtain Call”. In it, Murdock is shot during a job and the team has to figure out how to get him help while being pursued by Decker. It’s actually just an excuse to have a clip show. But the whole time, Murdock is bleeding to death and I love it.

See also: Hawaii Five-O Season 1 episode “King of the Hill” (Yaphet Kotto has a psychotic episode which leads to Danny being shot and held hostage); Starsky and Hutch Season 1 episode “Shootout” (Starsky is shot as a killers take everyone in an Italian restaurant hostage); and The Green Hornet episode “Bad Bet on 459-Silent” (Britt Reid is shot while being The Green Hornet and they have to figure out how to get him help while he’s preoccupied with catching the bad guys).

I know. It sounds sick and cruel and while I am both of these things, there is actually a very good, less evil reason for my enjoyment.

What it boils down to is that it’s an emotional extreme happening in a fictional context. Like watching horror movies. You can be terrified, but in the end, it’s a safe environment. You’re never in any real danger. Same deal. I and my faves are being put through it emotionally, but in the end, everybody’s okay!

Take “Home From the Sea” for example, the Season 4 premier of Magnum PI. Probably my favorite episode of the series; the ending is an absolutely gut punch. But the whole thing hinges on the fact that Magnum is stranded in the middle of the ocean, caught in a dangerous current pushing him further out to sea. At one point, he’s even bumped by a shark. Ultimate peril that we all know that he’ll survive, but it’s the getting there that we love. Okay, maybe I love it.

Another one is Adam-12 Season 4 episode “The Search”. Reed and Malloy are called to a robbery in progress. Reed catches one suspect while Malloy chases the other in the squad. However, the squad has a dodgy mic so dispatch and other officers have trouble keeping up with Malloy’s location, which proves to be a problem when he rolls the car and is badly hurt. Obviously, Malloy is going to be found in time, but you still hold your breath when he’s found first by someone with less than honorable intentions.

The peril doesn’t even have to be that immediately deadly either. Take for instance the Season 2 Gilligan’s Island episode “Quick Before It Sinks”. It looks like the castaways are in for a watery doom because the island is apparently sinking. Obviously, not the case because the show went on for another season and a half and a few TV movies. And as per show rules, it was a Gilligan goof that led to the incorrect assessment. Now, it’s a sitcom, so the danger is amusing at best, but there’s still something about watching first the men try to keep it from the women, and then the women coming up with a solution (build an ark!) and everyone working together before the inevitable. The inevitable being finding out that Gilligan is the cause of everyone thinking they’re about to bite it.

“The Sniper” episode of M*A*S*H is another good example. Though the dramedy had its serious moments, in this Season 2 episode, there’s more laughs despite the impending threat of being gunned down by a sniper. Though we know nobody is going to be shot and/or killed, there’s still something about watching the doctors, nurses, and patients cope with a situation that’s out of the life or death scenarios in the operating room that they’re used to. The show would do several episodes like this, including another favorite of mine, “The Army-Navy Game” in Season 1.

Whether light or dark, watching my faves in peril is a favorite of mine. It’s almost like a bonding experience in a way, living through that dangerous episode with these fictional characters and coming out on the other side closer than ever.

In case you’re wondering how sadistic I am, when I was watching Tales of the Gold Monkey and got to the episode “Escape from Death Island”, I saw that Corky was going to be bitten by a poisonous snake and actually rubbed my hands in glee. By this point in the series, I adored Corky, so to see that he was going to be in peril thrilled me.

Sure I knew he was going to be okay.

But for a little bit, I got to fret over him.

And then feel that rush of relief when he lived to see another day.